“Romantic Switzerland! thy scenes are traced
With characters of strange wild loveliness,
Beauty and desolation, side by side;
Here lofty rocks uprise, where nature seems
To dwell alone in silent majesty;
Rob'd by the snow, her stately palace fram'd
Of the white hills; towering in all their pride,
The frost's gigantic mounds are lost in clouds,
Like to vast castles rear'd in middle air.
The ice has sculptur'd too strange imagery—
Obelisks, columns, spires, fantastic piles;
Some like the polish'd marble, others clear
As the rock crystal, others sparkling with
The hues that melt along the sunborn bow.”

— Letitia Elizabeth Landon

Canto I, I opening lines
The Fate of Adelaide (1821)

Adopted from Wikiquote. Last update June 3, 2021. History

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Letitia Elizabeth Landon 785

English poet and novelist 1802–1838

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“Lost in his thoughts he looked out from his shop at the shining loveliness of that first day of March. Opposite him, a little to the side, stood the eternal bridge, everlastingly the same; through its white arches could be seen the green, sparkling, tumultous waters of the Drina, so that they seemed like some strange diadem in two colours which sparkled in the sun.”

Ivo Andrič book The Bridge on the Drina

Source: The Bridge on the Drina (1945), Ch. 17

“It is the addition of strangeness to beauty that constitutes the romantic character in art.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

Appreciation, Postscript (1889)

“A motte and bailey castle consists of a man-made hill (the motte) supporting a tower and a walled yard (the bailey). (…) Early castle builders looked for a natural hill on which to erect a timber tower, but since a hill might not be available where fortifications were needed, they raised a flat-topped, conical earthen mound by digging a circular trench or ditch the desired diameter and heaping up the dirt in the center.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

“In that strange island Iceland,—burst up, the geologists say, by fire from the bottom of the sea; a wild land of barrenness and lava; swallowed many months of every year in black tempests, yet with a wild gleaming beauty in summertime; towering up there, stern and grim, in the North Ocean with its snow jokuls, roaring geysers, sulphur-pools and horrid volcanic chasms, like the waste chaotic battle-field of Frost and Fire;—where of all places we least looked for Literature or written memorials, the record of these things was written down.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

“And Freedom rear'd in that august sunrise
Her beautiful bold brow,
When rites and forms before his burning eyes
Melted like snow.”

Alfred, Lord Tennyson Lady Clara Vere de Vere

The Poet (1830)
Context: p>Thus truth was multiplied on truth, the world
Like one great garden show'd,
And thro' the wreaths of floating dark up-curl'd,
Rare sunrise flow'dAnd Freedom rear'd in that august sunrise
Her beautiful bold brow,
When rites and forms before his burning eyes
Melted like snow.</p

“Does it not move you strangely, the love-bird's cry, tonight when, like the drifting snow, memory piles up on memory?”

Murasaki Shikibu book The Tale of Genji

Source: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 20: Asagao

“Snow is a strange white word.
No ice or frost
Has asked of bud or bird
For Winter's cost.
Yet ice and frost and snow
From earth to sky
This Summer land doth know.
No man knows why.
In all men's hearts it is.
Some spirit old
Hath turned with malign kiss
Our lives to mould.
Red fangs have torn His face.
God's blood is shed.
He mourns from His lone place
His children dead.
O! ancient crimson curse
Corrode, consume.
Give back this universe
Its pristine bloom.”

Isaac Rosenberg (1890–1918) English poet

On Receiving News of the War (1914)

“Of what a strange nature is knowledge! It clings to a mind when it has once seized on it like a lichen on a rock."
- Frankenstein p115”

Mary Wollstonecraft Shelley Frankenstein, or the Modern Prometheus

Source: Frankenstein

“Enough of dreams! No longer mock
The burdened hearts of men!
Not on the cloud, but on the rock
Build thou thy faith again;O range no more the realms of air,
Stoop to the glen-bound streams;
Thy hope was all too like despair:
Enough, enough of dreams.”

Alfred Noyes (1880–1958) English poet

"The Secret Inn : 'The Kingdom is Within You'" in Master Mind Magazine, Vol. VII, No. 3 (December 1914), p. 99

“DESOLATE are the mansions of the fair, the stations in Minia, where they rested, and those where they fixed their abodes! Wild are the hills of Goul, and deserted is the summit of Rijaam.
The canals of Rayaan are destroyed: the remains of them are laid bare and smoothed by the floods, like characters engraved on the solid rocks.
Dear ruins! Many a year has been closed, many a month, holy and unhallowed, has elapsed, since I exchanged tender vows with their fair inhabitants!
The rainy constellations of spring have made their hills green and luxuriant: the drops from the thunder-clouds have drenched them with profuse as well as with gentle showers:
Showers, from every nightly cloud, from every cloud veiling the horizon at day-break, and from every evening cloud, responsive with hoarse murmurs.
Here the wild eringo-plants raise their tops: here the antelopes bring forth their young, by the sides of the valley: and here the ostriches drop their eggs.
The large-eyed wild-cows lie suckling their young, a few days old—their young, who will soon become a herd on the plain.
The torrents have cleared the rubbish, and disclosed the traces of habitations, as the reeds of a writer restore effaced letters in a book;
Or as the black dust, sprinkled over the varied marks on a fair hand, brings to view with a brighter tint the blue stains of woad.
I stood asking news of the ruins concerning their lovely habitants; but what avail my questions to dreary rocks, who answer them only by their echo?”

Labīd (560–661) Sahabah and poet

Translated by C. J. Lyall, quoted in Arabian Poetry, p. 41-42. First Stanza, lines 1-10 https://archive.org/details/arabianpoetryfo00clougoog/page/n127/mode/2up
The Poem of Labīd (translated by C. J. Lyall in 1881)

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Letitia Elizabeth Landon 785

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