“I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions. I find any digression from this large aim leads me to boredom.”

—  Edward Hopper

1911 - 1940, Notes on Painting - Edward Hopper (1933)

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Edward Hopper photo
Edward Hopper 48
prominent American realist painter and printmaker 1882–1967

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“Well, I have a very simple method of painting. It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method. It's very simple... Yes, linseed oil. I used to use poppy oil, but I have heard that poppy oil is given to cracking pigment too, so I use it no longer... I find linseed oil and white lead the most satisfactory mediums.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

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Source: 'Oral history interview with Edward Hopper' (1959, June 17), conducted by John Morse; 'Archives of American Art', Smithsonian Institution

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“My painting does not come from the easel. I hardly ever stretch my canvas before painting. I prefer to tack the unstretched canvas to the hard wall or the floor. I need the resistance of a hard surface. On the floor I am more at ease. I feel nearer, more a part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. This is akin to the method of the Indian sand painters of the West.”

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“I can not evolve any concrete theory about painting. What happens on the canvas is unpredictable and surprising to me.”

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“Any difficulty, large or small, stimulates the intellect to find a solution.”

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version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Hoe kleiner de wereld, hoe beter ik me voel. Het riet om mij heen, dan is het kwade de wereld uit. Volgend jaar zal ik dat riet schilderen, ik heb het mij heilig voorgenomen. Een stukje riet met een stukje water eronder. En dan komt het er precies zo op dat je er stil van wordt. Ik schilder het buiten, want fantasie heb ik niet en dat zou ik trouwens een grote brutaliteit van mijzelf vinden. Ik heb er niets aan toe te voegen, ik heb niets in mij en ik geloof dat ik dat mijzelf goed bewust moet zijn, want als gevolg van mijn tijdelijkheid is dat mijn beperktheid.
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