Edward Hopper (1882–1967) prominent American realist painter and printmaker
1941 - 1967
Source: Three Hundred Years of American Painting, Alexander Eliot; New York: Time Inc., 1957, p. 298
Source: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 135 : original source: 'Willem de Kooning', in 'Moma Bulletin' pp. 6,7
Edward Hopper (1882–1967) prominent American realist painter and printmaker
1941 - 1967
Source: Three Hundred Years of American Painting, Alexander Eliot; New York: Time Inc., 1957, p. 298
Frank Stella (1936) American artist
Quotes, 1960 - 1970 <br class="br">Source: LIFE http://books.google.com/books?id=XUoEAAAAMBAJ&pg=PA49, Vol. 64, nr. 3, 19 January 1968, p. 49
Phillip Guston (1913–1980) American artist
Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 67
Phillip Guston (1913–1980) American artist
Source: 1950 - 1960, Interview with David Sylvester, BBC (March 1960), pp. 95
Frank Stella (1936) American artist
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 121
“Life is a great big canvas. Throw all the paint you can at it.”
James Patterson book Sam's Letters to Jennifer
Source: Sam's Letters to Jennifer
“Life is a great big canvas; throw all the paint you can at it.”
Danny Kaye (1913–1987) American actor, singer, dancer, and comedian
Edward Hopper (1882–1967) prominent American realist painter and printmaker
1911 - 1940, Notes on Painting - Edward Hopper (1933)
Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher
Quote of Rembrandt's letter, Nov/Dec. 1662, to buyer Don Antonio Ruffo from Messina, Sicily (location: RD, 1662/12, 509); as quoted in Rembrandt's Eyes, Simon Schama, Alfred A. Knopf, Borzoi Books, NEW YORK 1999, p. 591, & notes 32-36 <br class="br">Rembrant's reaction after complaints of Don Antonio Ruffo, dispatched through the Dutch consul in Messina, Jan van den Broeck, who was on his way to Amsterdam. Once there he was to inform Isaac Just (presumably the intermediary between Rembrandt and the Messina patrician), of the intense dissatisfaction at the work, which Don Ruffo had received. 'The Alexander', he complained, being unacceptably stitched together from four separate pieces, showed seams which were 'too horrible for words.'..g with so many defects.. (Don Ruffo already bought Rembrandt's painting Aristotle with a Bust of Homer c. 1655 and still existing: https://commons.wikimedia.org/wiki/File:Rembrandt_-_Aristotle_with_a_Bust_of_Homer_-_WGA19232.jpg, but 'The Alexander' of Rembrandt is lost). <br class="br">1640 - 1670