Source: A Wild Sheep Chase: A Novel (1982), Chapter 38, And So Time Passes
Context: Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space. I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.
“This is the place where time reverses. Dead men talk to all the pretty nurses. Instruments shine on a silver trayDon't let me get carried away.”
King's Crossing.
Lyrics, From a Basement on the Hill (posthumous, 2004)
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Elliott Smith 51
American singer-songwriter 1969–2003Related quotes
“I usually stay away from being carried away,
But one day I saw a silver horse.”
"Silver Horse" on Season of Glass (1981).
Context: I usually stay away from being carried away,
But one day I saw a silver horse.
I thought he might take me to that somewhere high,
I thought he might take me to that deep blue sky. I came to realize that the horse had no wings.
No wings, well, it wasn't so bad, you know. I learnt to travel the world around
And run on the ground in the morning.
And that's the story of a wandering soul,
A story of a dreamer.
“Lord, make me an instrument of thy peace. Where there is hatred, let me sow love.”
Bridge over Troubled Water
Song lyrics, Bridge over Troubled Water (1970)
Vol. XI, p. 62
Posthumous publications, The Collected Works
Context: I think we must see this very clearly right at the beginning — that if one would solve the everyday problems of existence, whatever they may be, one must first see the wider issues and then come to the detail. After all, the great painter, the great poet is one who sees the whole — who sees all the heavens, the blue skies, the radiant sunset, the tree, the fleeting bird — all at one glance; with one sweep he sees the whole thing. With the artist, the poet, there is an immediate, a direct communion with this whole marvellous world of beauty. Then he begins to paint, to write, to sculpt; he works it out in detail. If you and I could do the same, then we should be able to approach our problems — however contradictory, however conflicting, however disturbing — much more liberally, more wisely, with greater depth and colour, feeling. This is not mere romantic verbalization but actually it is so, and that is what I would like to talk about now and every time we get together. We must capture the whole and not be carried away by the detail, however pressing, immediate, anxious it may be. I think that is where the revolution begins.
“There's something very special indeed,
In all the places where I've seen you shine, boy.”
Song lyrics, The Kick Inside (1978)
Context: There's something very special indeed,
In all the places where I've seen you shine, boy.
There's something very real in how I feel, honey.
It's in me.
It's in me,
And you know it's for real.
Tuning in on your saxophone…