"We Seek No Wider War" http://web.cecs.pdx.edu/~trent/ochs/lyrics/we-seek-no-wider-war.html (1965) from Farewells & Fantasies (1997)
The song title alludes to a speech by Lyndon Johnson (17 Februaty 1965), in which he said, referring to the war in Vietnam: "We have no ambition there for ourselves, we seek no wider war."
Lyrics
1930s, Address at Chautauqua, New York (1936)
Tito on the Hungarian Revolution of 1956, as quoted in Jasper Ridley, Tito: A Biography (Constable and Company Ltd., 1994), p. 342.
Other
“Do not seek evil gains; evil gains are the equivalent of disaster.”
Gain not base gains; base gains are the same as losses.
Source: Works and Days (c. 700 BC), line 352; compare: "the gains of the wicked bring trouble", Book of Proverbs 15:6.
[Queen of Scots: The True Life of Mary Stuart, Guy, John, 2005, Mariner Books, 0618619178]
And further, one should think: "This leads to happiness in this world and the next."
Edicts of Ashoka (c. 257 BC)
Post-Presidency, Nobel lecture (2002)
Source: The Nobel Peace Prize Lecture
“There are some people who seek evil”
De Abaitua interview (1998)
Context: I understand that the word ‘occult’ means hidden, but surely that is not meant to be the final state of all this information, hidden forever. I don’t see why there is any need to further obscure things that are actually lucid and bright. Language and strange terminology – to keep them as some private mystery. I think there is too much darkness in magic. I can understand that it is part of the theatre. I can understand Aleister Crowley – who I think was a great intellect that was sometimes let down by his own flair for showmanship — but he did a lot to generate the scary aura of the magician that you find these sad, Crowleyite fucks making a fetish of. The ones who say ‘oh we’re into Aleister Crowley because he was the wickedest man in the world, and we’re also into Charles Manson because we’re bad. And we are middle-class as well, but we’re bad’. There are some people who seek evil – I don’t think there is such a thing as evil – but there are people who seek it as a kind of Goth thing. That just adds to the murk to what to me is a very lucid and flourescent subject. What occultism needs is someone to open the window, it’s too stuffy and it smells. Let’s get some fresh air, throw open the curtains – I can’t go for that posturing, spooky guy stuff. When they wanted me to do Fortean TV it became apparent that they wanted me to be Spooky Bloke. But I’m not actually trying to look spooky. I dress in black because it makes me look less fat, it’s as simple as that. It’s not a gothic flourish. I don’t want to be thought of as a figure of mystery or a master of the occult, surely this is about illumination, casting light on things. I’m an illuminist, that’d do for me.
A Prescription for Hope (1985)
Context: The hope of a benevolent civilization was shattered in the blood-soaked trenches of the First World War. The "war to end all wars" claimed sixteen million lives, and left embers which kindled an even more catastrophic conflagration.
Over the sorry course of 5,000 years of endless conflicts, some limits had been set on human savagery. Moral safeguards proscribed killing unarmed civilians and health workers, poisoning drinking waters, spreading infection among children and the disabled, and burning defenseless cities. But the Second World War introduced total war, unprincipled in method, unlimited in violence, and indiscriminate in victims. The ovens of Auschwitz and the atomic incineration of Hiroshima and Nagasaki inscribed a still darker chapter in the chronicle of human brutality. The prolonged agony which left 50 million dead did not provide an enduring basis for an armistice to barbarism. On the contrary, arsenals soon burgeoned with genocidal weapons equivalent to many thousands of World War II's.
The advent of the nuclear age posed an unprecedented question: not whether war would exact yet more lives but whether war would preclude human existence altogether.
