
“That willing suspension of disbelief for the moment, which constitutes poetic faith.”
Source: Biographia Literaria (1817), Ch. XIV
"The Novel Alive or Dead," A Gathering of Fugitives: New Essays (1956)
“That willing suspension of disbelief for the moment, which constitutes poetic faith.”
Source: Biographia Literaria (1817), Ch. XIV
Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.9 Deep Community
Context: Or perhaps... there is actually an infinity of universes among which only this one has by sheer accident produced the conditions for life and mind. It now requires such artful speculation to maintain an orthodox faith in chance. Skeptics, it would seem, are willing to believe anything.
“Any war that requires the suspension of reason as a necessity for support is a bad war.”
Source: Money And Class In America (1989), Chapter 8, Holy Dread, p. 197-198
“The moment disbelief arises, the spell is broken; the magic, or rather art, has failed.”
On Fairy-Stories (1939)
Context: The story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed.
http://www.qern.org/en/robert-fisk-on-anonymous-internet-cowards-like-david-toube/.
The Conduct Of Life (1951)
Context: Now life is the only art that we are required to practice without preparation, and without being allowed the preliminary trials, the failures and botches, that are essential for the training of a mere beginner. In life, we must begin to give a public performance before we have acquired even a novice's skill; and often our moments of seeming mastery are upset by new demands, for which we have acquired no preparatory facility. Life is a score that we play at sight, not merely before we have divined the intentions of the composer, but even before we have mastered our instruments; even worse, a large part of the score has been only roughly indicated, and we must improvise the music for our particular instrument, over long passages. On these terms, the whole operation seems one of endless difficulty and frustration; and indeed, were it not for the fact that some of the passages have been played so often by our predecessors that, when we come to them, we seem to recall some of the score and can anticipate the natural sequence of the notes, we might often give up in sheer despair. The wonder is not that so much cacophony appears in our actual individual lives, but that there is any appearance of harmony and progression.
Kate O'Hare, Tribune Media Services (December 2, 1994) "The Voice of Reason Speaks on FOX's 'X-Files'", St. Louis Post-Dispatch, p. 10F.
1990s