“As I scrape the bottom of the soul for some ingredients the only way I can explain to myself, about what it all is, is to believe that in some past life (if there is one), I belonged to the rainforests. The mantra there, for survival, is to submit to the natural forces, bow before it, respect its ways, learn and grow. You cannot defy it or go against it. In the rainforests there are labyrinthine darknesses weaving around you but there is always light in streaks, in a glow, in a stream, sunlight…all of which brings hope. You don't bathe in it all the time but it seeks you out. Man is but a speck. The human race, still a speck, in this mighty universe rich with millions of secrets.”
Retrieved, Arist's statement (1997)
Rainforests and the Timeless Metaphors of Dreams by Manav Gupta (August 1997, May 1999)
Referenced in critique “exploring earth’s elements” by Uma Nair, Asian Age, 2006 Sourced from Victoria Ross Blog, 2012 http://manavguptaartist.blogspot.in/
1990s
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Manav Gupta 8
Indian artist 1967Related quotes

[IndieLondon, Donkey Punch - Olly Blackburn interview, http://www.indielondon.co.uk/Film-Review/donkey-punch-olly-blackburn-interview, www.indielondon.co.uk, 23 February 2012, 2008]

Statement in an interview of 1990, as quoted in "Harlan Ellison dies at 84; acclaimed science fiction writer was known for combative style" in The Los Angeles Times (28 June 2018) http://www.latimes.com/local/obituaries/la-me-harlan-ellison-20180628-story.html

1960s, I've Been to the Mountaintop (1968)
Context: As you know, if I were standing at the beginning of time, with the possibility of general and panoramic view of the whole human history up to now, and the Almighty said to me, "Martin Luther King, which age would you like to live in?" — I would take my mental flight by Egypt through, or rather across the Red Sea, through the wilderness on toward the promised land. And in spite of its magnificence, I wouldn't stop there. I would move on by Greece, and take my mind to Mount Olympus. And I would see Plato, Aristotle, Socrates, Euripides and Aristophanes assembled around the Parthenon as they discussed the great and eternal issues of reality.
But I wouldn't stop there. I would go on, even to the great heyday of the Roman Empire. And I would see developments around there, through various emperors and leaders. But I wouldn't stop there. I would even come up to the day of the Renaissance, and get a quick picture of all that the Renaissance did for the cultural and esthetic life of man. But I wouldn't stop there. I would even go by the way that the man for whom I'm named had his habitat. And I would watch Martin Luther as he tacked his ninety-five theses on the door at the church in Wittenberg.
But I wouldn't stop there. I would come on up even to 1863, and watch a vacillating president by the name of Abraham Lincoln finally come to the conclusion that he had to sign the Emancipation Proclamation. But I wouldn't stop there. I would even come up the early thirties, and see a man grappling with the problems of the bankruptcy of his nation. And come with an eloquent cry that we have nothing to fear but fear itself.
But I wouldn't stop there. Strangely enough, I would turn to the Almighty, and say, "If you allow me to live just a few years in the second half of the twentieth century, I will be happy." Now that's a strange statement to make, because the world is all messed up. The nation is sick. Trouble is in the land. Confusion all around. That's a strange statement. But I know, somehow, that only when it is dark enough, can you see the stars. And I see God working in this period of the twentieth century in a way that men, in some strange way, are responding — something is happening in our world. The masses of people are rising up. And wherever they are assembled today, whether they are in Johannesburg, South Africa; Nairobi, Kenya: Accra, Ghana; New York City; Atlanta, Georgia; Jackson, Mississippi; or Memphis, Tennessee — the cry is always the same — "We want to be free."

Source: The Hero With a Thousand Faces