“Are there not many Arts which, though speechless, express their meanings with perfect adequacy, with satisfaction to the recipient, and serve at the same time as a medium of communication between soul and soul?”

'Painting and Culture' p. 57
Search for the Real and Other Essays (1948)

5 - 6
Auxiliaries to the Perception of Intelligible Natures
Context: Soul, indeed, is a certain medium between an impartible essence, and an essence which is divisible about bodies. But intellect is an impartible essence alone. And qualities and material forms are divisible about bodies.
Not everything which acts on another, effects that which it does effect by approximation and contact; but those natures which effect any thing by approximation and contact, use approximation accidentally.

Speech at Kinnaird Hall, Dundee, Scotland ("The Dundee Election"), May 14, 1908, in Liberalism and the Social Problem (1909), Churchill, BiblioBazaar (Second Edition, 2006), p. 148 ISBN 1426451989
Early career years (1898–1929)

Opening, The Network is the Message, p. 2
The Internet Galaxy - Reflections on the Internet, Business, and Society (2001)

'Painting and Culture' p. 56
Search for the Real and Other Essays (1948)

As quoted in Modern Dancing and Dancers (1912) by John Ernest Crawford Flitch, p. 105.
Context: To seek in nature the fairest forms and to find the movement which expresses the soul of these forms — this is the art of the dancer. It is from nature alone that the dancer must draw his inspirations, in the same manner as the sculptor, with whom he has so many affinities. Rodin has said: "To produce good sculpture it is not necessary to copy the works of antiquity; it is necessary first of all to regard the works of nature, and to see in those of the classics only the method by which they have interpreted nature." Rodin is right; and in my art I have by no means copied, as has been supposed, the figures of Greek vases, friezes and paintings. From them I have learned to regard nature, and when certain of my movements recall the gestures that are seen in works of art, it is only because, like them, they are drawn from the grand natural source.
My inspiration has been drawn from trees, from waves, from clouds, from the sympathies that exist between passion and the storm, between gentleness and the soft breeze, and the like, and I always endeavour to put into my movements a little of that divine continuity which gives to the whole of nature its beauty and its life.

National Music (1934) p. 123.

Last Act in Palmyra

De Testimonio Animae (The Testimony of the Soul), 6.3 <br class="br"> The Soul&#x27;s Testimony https://www.newadvent.org/fathers/0309.htm <br class="br">Original: (la) Omnium gentium unus homo, uarium nomen est, una anima, uaria uox, unus spiritus, uarius sonus, propria cuique genti loquella, sed loquellae materia communis.