
"Conversation with a Stone"
Poems New and Collected (1998), Salt (1962)
"Contentment".
The Autocrat of the Breakfast Table (1858)
"Conversation with a Stone"
Poems New and Collected (1998), Salt (1962)
In 1968, as quoted in Life and Lies of an Icon (1995) by Richard Witts.
Source: Tropic of Cancer (1934), Chapter Four, Pappin
Context: I am a free man-and I need my freedom. I need to be alone. I need to ponder my shame and my despair in seclusion. I need sunshine and paving tones of the streets without companions, without conversation, face to face with myself with only the music of my heart for company. What do you want of me? When I have something to say, I put it in print. When I have something to give, I give it. Your prying curiosity turns my stomach! Your compliments humiliate me. Your tea poisons me! I owe nothing to anyone, I would've responsible to God alone-if he exited!
Source: Natural Theology (1802), Ch. 1 : State of the Argument.
Context: In crossing a heath, suppose I pitched my foot against a stone and were asked how the stone came to be there, I might possibly answer that for anything I knew to the contrary it had lain there forever; nor would it, perhaps, be very easy to show the absurdity of this answer. But suppose I found a watch upon the ground, and it should be inquired how the watch happened to be in that place, I should hardly think of the answer which I had given, that for anything I knew the watch might have always been there. Yet why should not this answer serve for the watch as well as for the stone; why is it not admissible in that second case as in the first? For this reason, and for no other, namely, that when we come to inspect the watch, we perceive — what we could not discover in the stone — that its several parts are framed and put together for a purpose, e. g., that they are so formed and adjusted as to produce motion, and that motion so regulated as to point out the hour of the day; that if the different parts had been differently shaped from what they are, or placed in any other manner or in any other order than that in which they are placed, either no motion at all would have carried on in the machine, or none which would have answered the use that is now served by it.
This mechanism being observed … the inference we think is inevitable, that the watch must have had a maker — that there must have existed, at some time and at some place or other, an artificer or artificers who formed it for the purpose which we find it actually to answer, who comprehended its construction and designed its use.
Nor would it, I apprehend, weaken the conclusion, that we had never seen a watch made; that we had never known an artist capable of making one; that we were altogether incapable of executing such a piece of workmanship ourselves, or of understanding in what manner it was performed; all this being no more than what is true of some exquisite remains of ancient art, of some lost arts, and, to the generality of mankind, of the more curious productions of modern manufacture.
“Shall I be gone long?
For ever and a day
To whom there belong?
Ask the stone to say
Ask my song.”
Is it far to go? (1963)
"Rosalita"
Song lyrics, The Wild, the Innocent & the E Street Shuffle (1973)
“Only the dead can be forgiven;
But when I think of that my tongue's a stone.”
I, st. 4
The Winding Stair and Other Poems (1933), A Dialogue of Self and Soul http://poetry.poetryx.com/poems/1397/
Context: My Soul. Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known —
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.
The Tragic Sense of Life (1913), VI : In the Depths of the Abyss