“What can man know about happiness except how to write it?”
Statek (1994)
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Waldemar Łysiak 4
Polish art historian 1944Related quotes

“Happy endings are all I can do. I wouldn't know how to write anything else.”
Source: Romancing Mister Bridgerton

“And, of course men know best about everything, except what women know better.”
Source: Middlemarch
“There's not much you need to know about the world. Except how to use a sword and trust very few.”
Source: Froi of the Exiles

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 6
Identifying his "destroyed" personality as "Phædrus"
Context: Now I want to begin to fulfill a certain obligation by stating that there was one person, no longer here, who had something to say, and who said it, but whom no one believed or really understood. Forgotten. For reasons that will become apparent I'd prefer that he remain forgotten, but there's no choice other than to reopen his case.
I don't know his whole story. No one ever will, except Phædrus himself, and he can no longer speak. But from his writings and from what others have said and from fragments of my own recall it should be possible to piece together some kind of approximation of what he was talking about.

“What can I write about Vytautas Juozapaitis?”
Months ago, a singer with this same name gave one of the most Mozartean accounts of Don Giovanni I've ever experienced: a lean, yet warm sound, exciting and a little on the dangerous side - utterly (and wonderfully) self-absorbed. The man singing Giorgio Germont could not possibly have been this same artist. This was Verdi singing of the highest order - as if to the manor born. A molten, rich expressivity and attention to Verdian line that in its size, detail and musicality recalled the greats: Gorin, Merrill... you get the idea. The name may not trip off American tongues with ease... yet, but in an era often thought bereft of Verdian voices Juozapaitis is the real deal. Every moment of his Germont was filled passion and, like all of the cast members, every word of the Italian was naturally produced and understandable. Mama mia this man's got it!
Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004) http://listserv.cuny.edu/Scripts/wa.exe?A2=ind0403d&L=opera-l&F=&S=&P=15287