
“Other people’s tragedies should not be the subject of idle conversation.”
Source: Because of Winn-Dixie
Le sujet d'une belle tragédie doit n'être pas vraisemblable.
Héraclius (1646), preface.
Le sujet d'une belle tragédie doit n'être pas vraisemblable.
“Other people’s tragedies should not be the subject of idle conversation.”
Source: Because of Winn-Dixie
“The possibility of victory must be there in tragedy.”
Tragedy and the Common Man (1949)
Context: The possibility of victory must be there in tragedy. Where pathos rules, where pathos is finally derived, a character has fought a battle he could not possibly have won. The pathetic is achieved when the protagonist is, by virtue of his witlessness, his insensitivity, or the very air he gives off, incapable of grappling with a much superior force.
Pathos truly is the mode for the pessimist. But tragedy requires a nicer balance between what is possible and what is impossible. And it is curious, although edifying, that the plays we revere, century after century, are the tragedies. In them, and in them alone, lies the belief — optimistic, if you will, in the perfectibility of man.
It is time, I think, that we who are without kings, took up this bright thread of our history and followed it to the only place it can possibly lead in our time — the heart and spirit of the average man.
Introduction
The Return of Depression Economics and The Crisis of 2008 (2009)
Context: I'm speaking totally for myself and I'm not speaking for the Republican Party and I'm not speaking for anybody in the House of Representatives but myself, but I'm ashamed of what happened in the White House yesterday. I think it's a tragedy of the first proportion that a private corporation can be subjected to what I would characterize as a shakedown.
“Fight with realistic
hope, not to destroy
all the world's wrong,
but to renew its good.”
Source: Rose Under Fire
The Novel: What It Is (1893)
explaining his way of imagination
Karel Appel defines his painting', interview 1968
Tragedy and the Common Man (1949)
Context: The tragic right is a condition of life, a condition in which the human personality is able to flower and realize itself. The wrong is the condition which suppresses man, perverts the flowing out of his love and creative instinct. Tragedy enlightens — and it must, in that it points the heroic finger at the enemy of man's freedom. The thrust for freedom is the quality in tragedy which exalts. The revolutionary questioning of the stable environment is what terrifies.