“I have always concentrated on a far narrower field of subject matter than most other painters, so that the danger of repeating myself has been far greater. I think I have avoid this danger by devoting more time and thought to planning each one of my paintings as a variation on one or the other, of these few themes.”

— Giorgio Morandi

Source: 1945 - 1964, Interview, 1960, p. 107

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I have always concentrated on a far narrower field of subject matter than most other painters, so that the danger of re…" by Giorgio Morandi?

Giorgio Morandi 28

Italian painter 1890–1964

Related quotes

“As far as my work concerned, I am busy with a few small paintings, one is ordered and the other I have to 'adventure'. More and more I feel that I am short of so many studies, if I had the money, I didn't make any painting next year, I would only study [sketches]; but well, you have to make the best of a bad job, it will be hard enough to enable myself a living.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Wat mijn werk betreft zit ik aan enige kleine schilderijtjes, een is mij besteld en die andere moet ik avonturen. Ik voel hoe langer hoe langs hoe meer dat ik zooveel studie te kort kom, als ik geld had schilderde ik in het eerste jaar geen schilderij en studeer ik [schetsen], maar enfin je moet eens door een zure appel heenbijten, het zal mij moeite genoeg kosten om te kunnen leven.
Quote of Mauve, in a letter to Willem Maris, from Oosterbeek, 1864; as cited in Anton Mauve 1838 - 1888, exhibition catalog of Teylers Museum, Haarlem / Laren, Singer, ed. De Bodt en Plomp, 2009, p. 133
1860's

“It is a little bit humiliating when I have to say that Chou En-lai to me appears as the most superior brain I have so far met in the field of foreign politics… so much more dangerous than you imagine because he is so much better a man than you have ever admitted.”

Dag Hammarskjöld (1905–1961) Swedish diplomat, economist, and author

In a letter to a friend, as quoted in Hammarskjöld (1972) by Brian Urquhart

“Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929.”

Salvador Dalí (1904–1989) Spanish artist

By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.
Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

“Religion is a subject on which I have ever been most scrupulously reserved. I have considered it as a matter between every man and his Maker in which no other, and far less the public, had a right to intermeddle.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Richard Rush (1813)
1810s

“I have seen sights and travelled in countries you cannot imagine. I have been afraid and I have been in danger, and I have never for one moment thought that I would throw myself at at a man for his help.”

Philippa Gregory book The Queen's Fool

Source: The Queen's Fool

“… as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't think about as the fact that I'm lonely and therefore I paint lonely pictures, but I like kind of lonely things anyhow; so if the forms express that to me, there is a certain excitement that I have about that.... What I try to do is to create the painting so that the overall thing has the particular emotion; not just the forms in it.... in other words, there's a particular static or heavy form that can have a look to it, an experience that translated through the form; so then it does have a mood. And when that is there, well then it becomes it becomes a painting whereas all the other pictures that have far more interesting shapes and so on, don't become that to me.”

Franz Kline (1910–1962) American painter

n.p.
1960's, Living Art, 1963

“I have often been downcast, but never in despair; I regard our hiding as a dangerous adventure, romantic and interesting at the same time. In my diary I treat all the privations as amusing. I have made up my mind now to lead a different life from other girls and, later on, different from ordinary housewives. My start has been so very full of interest, and that is the sole reason why I have to laugh at the humorous side of the most dangerous moments.”

Anne Frank (1929–1945) victim of the Holocaust and author of a diary

3 May 1944
(1942 - 1944)

“For example, Rothko and I came to an agreement on the question of the subject matter; if we were to do something which could develop in some direction other than the accepted directions of that time, it would be necessary to use different subjects to begin with, and 1942, we embarked on a series of paintings that attempted to use mythological subject matter, preferably from Greek mythology. I did a series of paintings on the theme of Oedipus and Rothko did a series of paintings on other Greek themes….. this offered a possibility of a way out [of a. o. Social Realism and Cubism ]”

Adolph Gottlieb (1903–1974) American artist

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 31
1960s

“I resolved, as I walked, to be the most dangerous one I could be. And in my mind, that meant one thing: thought. Think things through; then act. First be patient; then be brave.”

John C. Wright (1961) American novelist and technical writer

Source: Fugitives of Chaos (2006), Chapter 1, “Interlude with Amelia” (p. 28)

“I will repeat what I once said to Guillaume Apollinaire: "For my part I have never avoided the influence of others. I would have considered it cowardice and a lack of sincerity toward myself."”

Henri Matisse (1869–1954) French artist

original version in French: Je vous répéterai ce que je disais naguère à Guillaume Apollinaire: "Je n'ai, pour ma part, jamais évité l'influence des autres, j'aurais considéré cela comme une lâcheté et un manque de sincérité vis-à-vis de moi-même."
'Interview with Henri Matisse' by Jacques Guenne, in 'L'Art Vivant' (15 September 1925)
1920s

Help us to complete the source, original and additional information

Giorgio Morandi 28

Related quotes

Related topics