“They [French critics of the Paris Salon of 1824, where his painting 'the Hay Wain' received a gold medal] are very amusing and acute — but very shallow and feeble. Thus one — after saying: "'it is but justice to admire the truth — 'the color' — and 'general vivacity' & richness —" – yet they want the objects more formed and defined &c, and say they are like the rich preludes in musick, and the full harmonious warblings of the Aeolian lyre, which means 'nothing,' and they call them orations — and harangues — and high-flown conversations affecting a careless ease — &c &v &c - Is not some of this 'blame' the highest 'praise' – what is poetry?”

— John Constable

What is Coleridge's Ancient Mariner (the very best modern poem) but something like this?
Quote from John Constable's letter to Rev. John Fisher, 1824, as quoted in Leslie Parris and Ian Fleming-Williams, Constable, (Tate Gallery Publications, London, 1993), p. 205
1820s

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John Constable 53

English Romantic painter 1776–1837

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