Session 763, Page 41
The Nature of the Psyche: Its Human Expression (1979)
“Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted—for the constraint of a definite “thing” cedes directly to the imagination. How can we draw “evolution” or “social organization,” not to mention the more mundane “digestion” or “self-interest,” without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.”
"A Tale of Three Pictures", p. 428
Eight Little Piggies (1993)
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Stephen Jay Gould 274
American evolutionary biologist 1941–2002Related quotes
Cited in: Addison C. Bennett (1978) Improving management performance in health care institutions: a total systems approach.. p. 40
A methodology for systems engineering, 1962
Foreword to The Beach Book by Gloria Steinem (1963); reprinted in Galbraith's A View from the Stands (1986)
Context: Total physical and mental inertia are highly agreeable, much more so than we allow ourselves to imagine. A beach not only permits such inertia but enforces it, thus neatly eliminating all problems of guilt. It is now the only place in our overly active world that does.
Source: Humanity Comes of Age, A study of Individual and World Fulfillment (1950), Introduction p. I - XII
Source: The invisible religion, 1967, p. 48
“The medieval imagery and iconography is so good for the imagination.”
As quoted in "Terry Gilliam reflects to Dreams about the making of Dr Parnassus" by Phil Stubbs http://www.smart.co.uk/dreams/parntgrf.htm
Context: We read Dover Books, because you can steal from them. The medieval imagery and iconography is so good for the imagination. Trying to describe the world, trying to describe the cosmos, trying to put it down in neat orderly fashion, unlike reality. And it always seems to stick in one's mind more than reality does.
Source: Evolution (2002), Chapter 11 “Mother’s People” section I (p. 337)