
Classic Essays on Twentieth-Century Music, ISBN 0028645812.
A message on a phonograph cylinder, recorded by Arthur Sullivan at a demonstration of Thomas Edison's phonograph in London on 5 October 1888; cited from Michael Chanan Repeated Takes: A Short History of Recording and its Effects on Music (London: Verso, 1995) p. 26. See also "Historic Sullivan Recordings" http://diamond.boisestate.edu/gas/sullivan/html/historic.html at the Gilbert and Sullivan Archive; and Very Early Recorded Sound http://www.nps.gov/edis/photosmultimedia/very-early-recorded-sound.htm at the National Historical Park website. The recording was issued on CD by the British Library (Voices of History 2: NSACD 19-20, 2005).
Classic Essays on Twentieth-Century Music, ISBN 0028645812.
Orthodoxy (1884)
Context: Mark says: “So, then, after the Lord had spoken unto them he was received up into heaven and sat on the right hand of God.” This is all he says about the most wonderful vision that ever astonished human eyes, a miracle great enough to have stuffed credulity to bursting; and yet all we have is this one, poor, meagre verse.
As quoted in "Cosmo Listens to Records" http://www.mediafire.com/view/za1l4i1dftotwg9/.png by Nat Hentoff, in Cosmopolitan (November 1965)
“I am awaiting
perpetually and forever
a renaissance of wonder”
Attributed to Darwin in another version of the Lady Hope fabrication.
Misattributed