
“The chief proof of man's real greatness lies in his perception of his own smallness.”
Source: The Sign of Four
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 411.
“The chief proof of man's real greatness lies in his perception of his own smallness.”
Source: The Sign of Four
Theodore Roosevelt, Address Before Congress (February 9, 1919).
“It is not by his faults, but by his excellences, that we measure a great man.”
On Actors and the Art of Acting (Leipzig: Bernhard Tauchnitz, 1875) p. 13
"The Indian Jugglers"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)
“A great man shows his greatness by the way he treats little men.”
Attributed to Carlyle in Dale Carnegie's How to Win Friends And Influence People (1936), but this quotation is not found in Carlyle's known works. The first mention found in Google Books dates from 1908, where the Rev. John Timothy Stone https://en.wikipedia.org/wiki/John_Timothy_Stone is quoted as claiming: 'The greatest critics of this world have been appreciators. Carlyle said, "You can discover a great man, or see a great man, by the way he treats little men.'
The quotation is subsequently found in slightly different forms, mostly in religious publications: "A great man shows his greatness by manner in which he treats little men" (1913, unattributed); The exact wording of Carnegie's quote suggests that it was taken from Stone's 1930 publication.
Disputed
“The greatness of the man's power is the measure of his surrender.”
2010s, 2016, Statement regarding the Khan family (1 August 2016)
Robert Henri, open letter to the Art Students League, (1917-10-29).
“Deep in the man sits fast his fate
To mould his fortunes, mean or great.”
Fate http://www.humanitiesweb.org/human.php?s=l&p=c&a=p&ID=20569&c=323
1860s, May-Day and Other Pieces (1867)
Source: What is Man? (1938), p. 180
Context: When we see a great man desiring power instead of his real goal we soon recognize that he is sick, or more precisely that his attitude to his work is sick. He overreaches himself, the work denies itself to him, the incarnation of the spirit no longer takes place, and to avoid the threat of senselessness he snatches after empty power. This sickness casts the genius on to the same level as those hysterical figures who, being by nature without power, slave for power, in order that they may enjoy the illusion that they are inwardly powerful, and who in this striving for power cannot let a pause intervene, since a pause would bring with it the possibility of self-reflection and self-reflection would bring collapse.