“I am deeply sensitive to the spell of nationalism. I can play about thirty Bohemian folk songs… on my mouth-organ. My oldest friend, who is Czech and a patriot, cannot bear to hear me play them because he says I do it in such a schmalzy way, 'crying into the mouth organ'. I do not think I could have written the book on nationalism which I did write, were I not capable of crying, with the help of a little alcohol, over folk songs, which happen to be my favourite form of music.”

— Ernest Gellner

"Reply to Critics" in The Social Philosophy of Ernest Gellner

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Ernest Gellner 32

Czech anthropologist, philosopher and sociologist 1925–1995

Tato Laviera (1950–2013) Puerto Rican writer

On his creative process in “An Interview with Tato Laviera, the King of Nuyorican Poetical Migrations” https://www.latinorebels.com/2012/07/11/an-interview-with-tato-laviera-the-king-of-nuyorican-poetical-migrations/ in Latino Rebels (2012 Jul 11)

“I touch your mouth, I touch the edge of your mouth with my finger, I am drawing it as if it were something my hand was sketching, as if for the first time your mouth opened a little, and all I have to do is close my eyes to erase it and start all over again, every time I can make the mouth I want appear, the mouth which my hand chooses and sketches on your face, and which by some chance that I do not seek to understand coincides exactly with your mouth which smiles beneath the one my hand is sketching on you.”

Julio Cortázar book Hopscotch

Rayuela (Hopscotch) (1963)

“I told him I just want to write some more songs and put them on tape. I figure the content of the songs and how I choose to answer for myself is my business. He says he is sorry, even cut to the heart, but he cannot and will not sign me, as, alas, I cannot say the things he wanted to hear. I say I am sorry he cannot hear the things I'm trying to say.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

“I am, now as before, of the opinion that I did the best that I could do for my nation. I therefore do not regret my conduct and will bear the consequences that result from my conduct.”

Sophie Scholl (1921–1943) White Rose member

Response to the closing question of whether she hadn't "indeed come to the conclusion that your conduct and the actions along with your brother and other persons in the present phase of the war should be seen as a crime against the community, but in particular against our troops fighting arduously in the east, that merits the severest sentence?" in the official examination transcripts (February 1943); Bundesarchiv Berlin, ZC 13267, Bd. 3 http://www.bpb.de/themen/5H3ZT3,3,0,Ausz%FCge_aus_den_Verh%F6rprotokollen_von_Sophie_Scholl.html#art3

“At that moment I was sure. That I belonged in my skin. That my organs were mine and my eyes were mine and my ears, which could only hear the silence of this night and my faint breathing, were mine, and I loved them and what they could do.”

Dave Eggers (1970) memoirist, novelist, short story writer, editor, publisher

“Either you write songs or you don't. And if you do write songs like I do, I think there's a natural desire to want to make records. So, when I left Pink Floyd, I guess I had two, no three choices open to me: Not to do it anymore, which is daft as I was writing songs, although I suppose I could have written for other people, but I like making records; so I could either do it as Roger Waters or I could have got together with other people and said hey, why don't we start a band? But my view of bands had been jaundiced slightly by my previous experience, so I think that was something I never considered.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Gold, 1992
Music

“Sometimes when I'm alone
I Cry,
Cause I am on my own.
The tears I cry are bitter and warm.
They flow with life but take no form
I Cry because my heart is torn.
I find it difficult to carry on.
If I had an ear to confide in,
I would cry among my treasured friend,
but who do you know that stops that long,
to help another carry on.
The world moves fast and it would rather pass by.
Then to stop and see what makes one cry,
so painful and sad.
And sometimes…
I Cry
and no one cares about why.”

Tupac Shakur (1971–1996) rapper and actor

“Strength is paradoxical. I am not strong because I can force others to do what I wish as a result of my play with them, but because I can allow them to do what they wish in the course of my play with them.”

James P. Carse American academic

Source: Finite and Infinite Games: A Vision of Life as Play and Possibility

“While sitting in my prison cell, I was astonished to hear the local rock station play a new song by the Beatles entitled "Come Together." Although the new version was certainly a musical and lyrical improvement on my campaign song, I was a bit miffed that Lennon had passed me over this way.”

Timothy Leary book Flashbacks

Source: Flashbacks, An Autobiography (1983), p. 388
Context: While sitting in my prison cell, I was astonished to hear the local rock station play a new song by the Beatles entitled "Come Together." Although the new version was certainly a musical and lyrical improvement on my campaign song, I was a bit miffed that Lennon had passed me over this way. (I must explain that even the most good-natured persons tend to be a bit touchy about social neglect while in prison). When I sent a mild protest to John, he replied with typical Lennon charm and wit: that he was a tailor and I was a customer who had ordered a suit and never returned. So he sold it to someone else.

“When we first started, they basically went John and Paul's way because they were the writers and they would say, "This is the song," and I would play as creatively as I could. Sometimes I would have three people telling me how to do it. They were saying play it this like on that track. I'm saying, "For Christ's sake, there are two drummers there." They could never hear that, you know. You'd have to have four arms to do half the stuff they wanted me to do.”

Ringo Starr (1940) British musician, former member of the Beatles

Interview in Viva magazine (1978)

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Ernest Gellner 32

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