“In Taoist thought, the good life comes spontaneously; but spontaneity is far from simply acting on the impulses that occur to us. In Western traditions such as Romanticism, spontaneity is linked with subjectivity. In Taoism it means acting dispassionately, on the basis of an objective view of the situation at hand. The common man cannot see things objectively, because his mind is clouded by anxiety about achieving his goals. Seeing clearly means not projecting our goals into the world; acting spontaneously means acting according to the needs of the situation. Western moralists will ask what is the purpose of such action, but for Taoists the good life has no purpose. It is like swimming in a whirlpool, responding to the currents as they come and go. 'I enter with the inflow, and emerge with the outflow, follow the Way of the water, and do not impose my selfishness upon it. This is how I stay afloat in it,' says the Chuang-Tzu. In this view, ethics is simply a practical skill, like fishing or swimming. The core of ethics is not choice or conscious awareness, but the knack of knowing what to do. It is a skill that comes with practice and an empty mind.”
The Vices of Morality: Animal virtues (p. 113)
Straw Dogs: Thoughts on Humans and Other Animals (2002)
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John Gray 164
British philosopher 1948Related quotes

Part 1, Book 1, ch. 2, sect. 7.
Philosophy of the Inductive Sciences (1840)
Jasper Johns in Tokyo, Yoshiaki Tono, Tokyo August 1964, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed; Kirk Varnedoe, Moma New York, 1996, p. 104
1960s
How I became a Hindu (1982)
Variant: To me, Dharma had always been a matter of moral norms, external rules and regulations, do's and don'ts, enforced on life by an act of will. Now I was made to see Dharma as a multi dimensional movement of man's inner law of being, his psychic evolution, his spiritual growth, and his spontaneous building of an outer life for himself and the community in which he lived.

Neville Cardus in the Manchester Guardian, 1935; reprinted in his The Delights of Music (1966) p. 56.
Criticism
Source: Projective methods for the study of personality (1939), p. 402-403; As cited in: Edwin Inglee Megargee, Charles Donald Spielberger (1992) Personality assessment in America: a retrospective on the occasion of the fiftieth anniversary of the Society for Personality Assessment. p. 20-21