“But when people like Mundassery tried to correct us, they viewed form and content as two separate categories and argued for perfection in both. That was their theory. In fact the form and content are not so separate of conflicting categories. For progressive content there must be progressive form. The progressive form is the same as perfect form. Those like Mundassery did not realize the relation between the two.”

— E. M. S. Namboodiripad

EMS As A Literary Critic And Cultural Activist

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E. M. S. Namboodiripad 19

Indian politician 1909–1998

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“It is the fact of life that a truth emerges out of a conflict between two wrongs. The development of society is through contradictions. Thus the Roopa Bhadrata argument which arose out of our conflict was wrong, in another sense it was correct too. Evaluating the worth of literature we should never confine ourselves to content alone. Mundassery was correct in insisting that form too is to be evaluated. In his own words it is not enough to have perfect content, it must also have perfect form. That is Roopa Bhadrata. Is that not correct? Yes, it is. We accept that we were wrong on that count. Those of us who founded the Jeevat Sahitya Sanghom were political workers. We looked at literature too through political eyes. So we did not pay sufficient attention to the artistic structure of literature. That was our mistake.”

E. M. S. Namboodiripad (1909–1998) Indian politician

EMS As A Literary Critic And Cultural Activist

“The form of my painting is the content.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

as quoted in "Abstract Art", Anna Moszynska, Thames and Hudson 1990, p. 173
1969 - 1980

“Psychology is the science of psychic states both as to content and form, regarded from an objective standpoint, and brought in relation to the living corporeal individual.”

Boris Sidis (1867–1923) American psychiatrist

Source: The Foundations of Normal and Abnormal Psychology (1914), p. 39

“Since the form is only an expression of the content and the content is different with different artists, it is then clear that there can be many different forms at the same time which are equally good. Necessity creates the form. Fish which live at great depths have no eyes. The elephant has a trunk. The chameleon changes its color, and so forth.”

Wassily Kandinsky (1866–1944) Russian painter

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“So far from a gradual progress towards perfection forming any necessary part of the Darwinian creed, it appears to us that it is perfectly consistent with indefinite persistence in one state, or with a gradual retrogression.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

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“The reader is the content of any poem or of the language he employs, and in order to use any of these forms, he must put them on.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

"Roles, Masks, and Performances", New Literary History, Vol. 2, No. 3, Performances in Drama, the Arts, and Society (Spring, 1971), p. 520
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“Content, of course, must have some form. And form, of course, creates its content/commentary. This is why their chimeras have chased each other through moment after moment of history, the intense perception of one or the other producing the overwhelming effect: Art.”

Samuel R. Delany book Flight from Nevèrÿon

Section 8.21 (p. 232)
Flight from Nevèrÿon (1985)

“Grief like anything else – like a stone – is content only; God gives us the form, that serenity, purity and self-possession with which to surround and live grief.”

Aldo Capitini (1899–1968) Italian philosopher and political activist

Hymn

“It is patent on the face of history that the aggregates of men who form communities, like the aggregates of atoms that form living bodies, are subject to laws of progressive change – be it towards growth or towards decay.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

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“True realism, materialist realism lies in the search for the expression of forms faithful to their content. But there is no content detached from human interest.”

Asger Jorn (1914–1973) Danish artist

As quoted in Aftermath France, 1945-54: New Images of Man: An Exhibition (1982), p. 107
1959 - 1973, Various sources

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E. M. S. Namboodiripad 19

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