
Part 2: Metaphysical Rebellion; also quoted in Albert Camus : The Invincible Summer (1958) by Albert Maquet, p. 86; a remark made about the Marquis de Sade
The Rebel (1951)
Fear of Drowning By Numbers
Part 2: Metaphysical Rebellion; also quoted in Albert Camus : The Invincible Summer (1958) by Albert Maquet, p. 86; a remark made about the Marquis de Sade
The Rebel (1951)
Introduction to Astronomicon of Manilius, Lib I. (Cambridge University Press, [1903] 1937) p. xliii.
Referring to Mr. Burns. Compare to Heart of Darkness' manager: "He was becoming confidential now, but I fancy my unresponsive attitude must have exasperated him at last, for he judged it necessary to inform me he feared neither God nor devil, let alone any mere man. I said I could see that very well..."
The Shadow Line (1915)
The Art of the Theatre (1925), p. 171
Context: Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
The History of Freedom in Antiquity (1877), p.3
Comment on a scene involving Baoyu with the maid Number Four in chapter 21, as reported and quoted by John Minford in Berkshire Dictionary of Chinese Biography, ed. Kerry Brown, Vol. III (Berkshire Publishing Group, 2017), p. 1109