The Years with Ross (Little Brown & Co, 1957, pg.267)
Variant: From one casual of mine he picked this sentence. “After dinner, the men moved into the living room.” I explained to the professor that this was Ross’s way of giving the men time to push back their chairs and stand up. There must, as we know, be a comma after every move, made by men, on this earth.
Memo to The New Yorker (1959); reprinted in New York Times Book Review (4 December 1988); Harold Ross was the editor of The New Yorker from its inception until 1951, and well-known for the overuse of commas
From other writings
“Here's the way I wrote in one of the things I wrote a while back: "But since he had been in the army, he had come to understand his ungraspable longing and his phantasmal and belly-shrinking dissatisfaction: there were such things he wanted to be, to do, to write: He wanted to be the voice that shrieked out the agony of frustration and lostness and despair and loneliness, that all men feel, yet cannot understand; the voice that rolled forth the booming, intoxicating laughter of men's joy; the voice that richly purred men's love of good hot food and spicy strong drink; men's love of thick, moist, pungent tobacco smoke on a full belly; men's love of woman: voluptuous, throaty voiced, silken-thighed, and sensual."”
I suppose that sounds an awful lot like Wolfe, but if it does, it's exactly the way I feel.
Letter to his brother Jeff, from Hawaii (7 April 1941); p. 13
To Reach Eternity (1989)
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James Jones 52
American author 1921–1977Related quotes
“If he wrote it, he could get rid of it. He had gotten rid of many things by writing them.”
Jeff Ament talking about Cornell on NBA.com podcast NBA Soundsystem ** Pearl Jam's Jeff Ament on Chris Cornell's death and depression, 30 May 2017 https://www.youtube.com/watch?v=9buvTFxf2EA,
Explaining why he used many different pseudonyms.
Oxford Companion to Children's Literature: "Charles Hamilton" (pages 235-7)
Source: Seabiscuit: An American Legend
On Willy Loman in Death of a Salesman, as quoted in The New York Times (9 May 1984)
Alan Paton on Smuts's oratory, in Paton's final essay, A Literary Remembrance, published posthumously in TIME, 25 April 1988, p. 106.
Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 1 (p. 1)