short notation, 1881: from 'Notes inedites de Seurat sur Delacroix', in 'Bulletin de la Vie Artistique', April 1922; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 6 - note 9
Seurat studied carefully the paintings of Eugene Delacroix, and wrote in 1881 about Delacroix's painting 'The Fanatics of Tangier' https://upload.wikimedia.org/wikipedia/commons/a/a0/Eug%C3%A8ne_Delacroix_-_The_Fanatics_of_Tangier_-_WGA06195.jpg this notation
Quotes, 1881 - 1890
“When I was young I was more obsessed with the materiality of things.... today I am more interested in air and atmosphere. This is why I deliberately treat space ambivalently. For example, an orange painting with white lines might be viewed as an orange wall with white lines, but the orange colour is no less atmospheric for all of that. It abounds white light, and the white line vibrate in a deep space, too, as well as an orange 'wall.”
Interview with Irmeline Lebeer, in 'Recent Work', Princeton Art Museum, 1973 pp. 10-13
after 1970
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Robert Motherwell 42
American artist 1915–1991Related quotes
quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875
As quoted in El Punt (28 January 2012). "La teva cara em sona" http://www.elpuntavui.cat/noticia/article/5-cultura/19-cultura/500466-la-teva-cara-em-sona.html
quote of Manet, recorded bij Berthe Morisot; in Manet by Himself, ed. Juliet Wilson Bareau Little Brown 2000, London; p. 303
1850 - 1875
(Manuscript, 1914); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 148
Futurist Manifesto of Men's clothing,' 1913/1914
“I imagine a line, a white line, painted on the sand and on the ocean, from me to you.”
Source: Everything Is Illuminated
Bowl of Oranges
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)