“I hung Baziote's [painting] show with him at Peggy's in 1944. After it was up and we had stood in silence looking at it for a while, I noticed he had turned white... Suddenly he [Baziotes] looked at me and said: 'You're the one I trust; if you tell me the show is no good, I'll take it right down and cancel it.'.... you see, at the opposite side of the coin of the abstract expressionist's ambition and of out not giving a damn, was also not knowing whether our pictures were even pictures, let alone whether they were any good…”
William Baziotes – paintings and drawings, curated by Michael Preble, Peggy Guggenheim Collection, Venice, 2004, p. 181
after 1970
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Robert Motherwell 42
American artist 1915–1991Related quotes

Quote from Turner's remark c. Jan, 1849, to financial agent Mr. Williams; as cited in 'The life of J.M.W. Turner', Volume II, George Walter Thornbury; https://ia801207.us.archive.org/18/items/lifeofjmwturnerr02thor/lifeofjmwturnerr02thor.pdf Hurst and Blackett Publishers, London, 1862, pp. 248-249
Mr. Drake, the solicitor of the Railway Company, whom Mr. Turner saw when he executed the conveyance, requested Mr. Williams to ask Turner's permission to show him a picture he had purchased as a 'Turner'
1821 - 1851

"Horrorshow" (with Carl Barat)
Lyrics and poetry

Jesus, The Son of Man (1928)
Context: He stood up and looked at me even as the seasons might look down upon the field, and He smiled. And He said again: "All men love you for themselves. I love you for yourself."
And then He walked away.
But no other man ever walked the way He walked. Was it a breath born in my garden that moved to the east? Or was it a storm that would shake all things to their foundations?
I knew not, but on that day the sunset of His eyes slew the dragon in me, and I became a woman, I became Miriam, Miriam of Mijdel.
Mary Magdalen: On Meeting Jesus For The First Time

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: ** Ik zat in de schuur en tekende een dode vogel, die ik op een kistje had neergelegd. Toen ging de schuurdeur open en kwam Kees binnen [een oud ijzerkoopman, al met pensioen].. ..Hij ging op zijn hurken naast me zitten.. ..Toen zei hij, na een korte stilte: 'Ben je aan het schilderen?'.. .. 'Het lijkt wel wat op die vogel'. Ik zei: 'Dat is voor mij een compliment, Kees, want die vogel probeer ik na te tekenen.' Stomverbaasd keek hij me aan en vroeg: 'Waarom doe je dat?' Wat moest ik daar nu op antwoorden? Ik zei: 'Ja, dat weet ik eigenlijk zelf ook niet'. Toen hees hij zichzelf overeind en zei 'Ik breng de rommel maandag wel bij je.' Hij liep naar de deur..
Source: Jopie de Verteller' (2010) - postumous, p. 27

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

How Leigh Snowden Broke into Movies http://archives.chicagotribune.com/1956/06/03/page/328/article/how-leigh-snowden-broke-into-movies#text (June 3, 1956)

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

He said, "You've got a point."
At a rally in Londonberry, New Hampshire (16 October 2008) http://transcripts.cnn.com/TRANSCRIPTS/0810/16/cnr.04.html
2008