“I take unceasing delight in Chaucer. His manly cheerfulness is especially delicious to me in my old age. How exquisitely tender he is, and yet how perfectly free from the least touch of sickly melancholy or morbid drooping! The sympathy of the poet with the subjects of his poetry is particularly remarkable in Shakspeare and Chaucer; but what the first effects by a strong act of imagination and mental metamorphosis, the last does without any effort, merely by the inborn kindly joyousness of his nature. How well we seem to know Chaucer! How absolutely nothing do we know of Shakspeare!”

— Samuel Taylor Coleridge

15 March 1834
Table Talk (1821–1834)

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Samuel Taylor Coleridge 220

English poet, literary critic and philosopher 1772–1834

Robert Mannyng (1275–1338) English chronicler

Kenneth Sisam (ed.) Fourteenth Century Verse and Prose ([1921] 1955) p. 3.
Criticism

“Yet Dafydd's humour does not obscure, any more than Chaucer's does, the underlying seriousness of his poetry. Behind his poems of requited and unrequited love, whether idyllic or idealizing, whether streaked by savage jealousy or a profound feeling of betrayal reminiscent of Troilus and Criseyde, there runs a sense of the cruel impermanence of the world.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Patrick Sims-Williams, in Boris Ford (ed.) Medieval Literature: The European Inheritance (Harmondsworth: Penguin, 1983) p. 302.
Criticism

“As old Chaucer was wont to say, that broad famous English poet.”

Thomas Middleton (1580–1627) English playwright and poet

More Dissemblers besides Women (1614), Act i. Sc. 4.

“The absence of sentimentalism in Christ's relations with men is what makes His tenderness so exquisitely touching.”

Phillips Brooks (1835–1893) American clergyman and author

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 59.

“How can the bird that is born for joy
Sit in a cage and sing?
How can a child, when fears annoy,
But droop his tender wing,
And forget his youthful spring?”

William Blake Songs of Innocence and of Experience

Source: Songs of Innocence and of Experience

“God grant that the reader, emboldened and having become at present as fierce as what he is reading, find, without loss of bearings, his way, his wild and treacherous passage through the desolate swamps of these sombre, poison-soaked pages; for, unless he should bring to his reading a rigorous logic and a sustained mental effort at least as strong as his distrust, the lethal fumes of this book shall dissolve his soul as water does sugar.”

Comte de Lautréamont book Les Chants de Maldoror

Les Chants de Maldoror, Canto 1 (1868)

“He says his aim is poetry. One does not aim at poetry with pistols. At poets, perhaps.”

Tom Stoppard Arcadia

Source: Arcadia

“He who writes poetry is not a poet. He whose poetry has become his life, and who has made his life his poetry — it is he who is a poet.”

Subramanya Bharathi (1882–1921) Tamil poet

English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece

“A warrior takes responsibility for his acts, for the most trivial of his acts. An average man acts out his thoughts, and never takes responsibility for what he does.”

Carlos Castaneda book The Wheel of Time

Source: The Wheel of Time: Shamans of Ancient Mexico, Their Thoughts About Life, Death and the Universe], (1998), Quotations from A Separate Reality (Chapter 6)

“Believe me, what makes the human being truly free, and what takes away his freedom, what gives him true bliss and what destroys it, isn't subject to 'progress'--it is something every genuinely alive person knows perfectly well in his own heart, if he will just listen to it!”

Robert Musil book The Man Without Qualities

The Man Without Qualities (1930–1942)

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