“In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world.”

Referring to himself in the third person, page 39. Cited also in " The lady behind those Keane-eyed kids https://books.google.com/books?id=2FMEAAAAMBAJ&pg=PA56," LIFE 69, no. 21 (20 November 1970), p. 56; by Amy M. Spindler, " Style; An Eye for an Eye http://www.nytimes.com/1999/05/23/magazine/style-an-eye-for-an-eye.html," The New York Times (23 May 1999); and by Jesse Hamlin, " Artist Margaret Keane hasn't lost wide-eyed enthusiasm for work http://www.sfgate.com/entertainment/article/Artist-Margaret-Keane-hasn-t-lost-wide-eyed-5955625.php," SFGate (14 Decembet 2014).
1965, Cited by Jane Howard

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Source: The Seventh Seal

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 397.

Bouguereau (1895); Attributed in: Jefferson C. Harrison (1986) French paintings from the Chrysler Museum. Chrysler Museum, North Carolina Museum of Art, Birmingham Museum of Art (Birmingham, Ala.). p.45.

St. 7
On the Death of a Favourite Cat http://www.thomasgray.org/cgi-bin/display.cgi?text=odfc (1747)

Robert Motherwell, partly quoting Jean Arp, in Motherwell & black (1981) p. 94 -->
Misattributed

Source: To Live Forever (1956), Chapter XI, section 1

Source: Cider with Rosie (1959), p. 50.