Bei diesem Zusammenhange ist die leidenschaftliche Zuneigung begreiflich, welche die Dichter der neueren Komödie zu Euripides empfanden; so dass der Wunsch des Philemon nicht weiter befremdet, der sich sogleich aufhängen lassen mochte, nur um den Euripides in der Unterwelt aufsuchen zu können: wenn er nur überhaupt überzeugt sein dürfte, dass der Verstorbene auch jetzt noch bei Verstande sei.
Source: The Birth of Tragedy (1872), p. 55
“Euripides seems to have felt that the dignified perfection of Sophocles could be challenged only by novelty and irresponsibility. The religious conditions of the Dionysian festival kept him within certain bounds… But within the imposed limits Euripides was as profane as he dared to be, making melodrama of the divine realities which his predecessors accepted religiously, using the stage merely as a convenience for popularizing his own eccentric values.”
Laura Riding and Robert Graves from "Poetic Drama", reprinted in The Common Asphodel (London: Hamish Hamilton, 1949)
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Laura Riding Jackson 42
poet, critic, novelist, essayist and short story writer 1901–1991Related quotes
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