
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
Al-Muradi, The Book of Secrets in the Results of Ideas, 11th century; Translated and cited at leonardo3.net/bookofsecrets/index http://www.leonardo3.net/bookofsecrets/index_eng.html, 2015
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
A note on this statement is included by Stillman Drake in his Galileo at Work, His Scientific Biography (1981): Galileo adhered to this position in his Dialogue at least as to the "integral bodies of the universe." by which he meant stars and planets, here called "parts of the universe." But he did not attempt to explain the planetary motions on any mechanical basis, nor does this argument from "best arrangement" have any bearing on inertial motion, which to Galileo was indifference to motion and rest and not a tendency to move, either circularly or straight.
Letter to Francesco Ingoli (1624)
Book Three, Part II “The Edge of the Sea”, Chapter 2 (p. 357)
The Birthgrave (1975)
Source: The Monkey Grammarian (1974), Ch. 1
On being asked how she begins a new work in “Elena Ferrante, Art of Fiction No. 228” https://www.theparisreview.org/interviews/6370/elena-ferrante-art-of-fiction-no-228-elena-ferrante in The Paris Review (Spring 2015)
Black Elk Speaks (1961)
Context: Then I was standing on the highest mountain of them all, and round about beneath me was the whole hoop of the world. And while I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being. And I saw that the sacred hoop of my people was one of many hoops that made one circle, wide as daylight and as starlight, and in the center grew one mighty flowering tree to shelter all the children of one mother and one father. And I saw that it was holy.
Introduction, One Life, One Century, p. 12
Living In The Number One Country (2000)
A Theory of Roughness (2004)
as quoted in the exhibition text of 'Marino Marini, Painter, Draughtsman, Sculptor', Museum de Fundatie, September 2013 to 16 March 2014