Mr. Tesla Explains Why He Will Never Marry (1924)
Quoted by Katherine Martin in Women of Courage: Inspiring Stories from the Women Who Lived Them, p. 268 (1999)
1950s, Rediscovering Lost Values (1954)
Context: There is something wrong with our world, something fundamentally and basically wrong. I don't think we have to look too far to see that. I'm sure that most of you would agree with me in making that assertion. And when we stop to analyze the cause of our world's ills, many things come to mind. We begin to wonder if it is due to the fact that we don't know enough. But it can't be that. Because in terms of accumulated knowledge we know more today than men have known in any period of human history. We have the facts at our disposal. We know more about mathematics, about science, about social science, and philosophy than we've ever known in any period of the world's history. So it can't be because we don't know enough. And then we wonder if it is due to the fact that our scientific genius lags behind. That is, if we have not made enough progress scientifically. Well then, it can't be that. For our scientific progress over the past years has been amazing. Man through his scientific genius has been able to dwarf distance and place time in chains, so that today it's possible to eat breakfast in New York City and supper in London, England. Back in about 1753 it took a letter three days to go from New York City to Washington, and today you can go from here to China in less time than that. It can't be because man is stagnant in his scientific progress. Man's scientific genius has been amazing. I think we have to look much deeper than that if we are to find the real cause of man's problems and the real cause of the world's ills today. If we are to really find it I think we will have to look in the hearts and souls of men.
Wonderful World
Song lyrics, The Wonderful World of Sam Cooke (1960)
Last interview (1980)
Context: I’m 40, I wanna talk to the people my age. I’m happy if the young people like it, and I’m happy if the old people like it, I’m talkin’ to guys and gals that have been through what we went through, together — the sixties group that has survived. Survived the war, the drugs, the politics, the violence on the street – the whole she-bang – that we’ve survived it and we’re here. And I’m talkin’ to them. And the "Woman" song is to Yoko, but it’s to all women. And, because my role in society – or any artist or poet’s role – is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it’s like that’s the job of the artist in society, not to... they’re not some alienated being living on the outskirts of town. It’s fine to live on the outskirts of town, but artists must reflect what we all are. That’s what it’s about – artists, or poets or whatever you wanna call it. And that’s what I’m tryin’ to express on behalf of all the men to all the women, through my own feelings about women – when it dawned on me, "God! It is the other half of the sky" as the late-great Chairman MacDougal said, right? I mean, they are the other half of the sky, and without them there is nothing. And without us there’s nothing. There’s only the two together creating children, creating society. So what’s all this B. S. about, you know, "women are this" and "men are that" – we’re all human, man. We’re all human. And, I am tryin’ to say it to Yoko, but to all women, you know? On behalf of all men, in a way. If that’s taken it too much on meself, I feel that artists are that – they’re reflections of society... Mirrors.
Julia Langdon, "The gloves are off in the Speaker's corner", Herald (Glasgow), 9 April 1998, p. 21.
Statement to the press on arriving at Hillsborough Castle for the Northern Ireland talks, 7 April 1998.
1990s
Women and Madness (2005), p. 338 (emphasis in original), and see Women and Madness (1972), pp. 287–288 (similar text).
Women and Madness (1972, 2005)
