
“The light overcame the shadow. But as always, the shadow left its taint on the victors.”
Source: The White Rose (1985), Chapter 43, “Picnic” (p. 645)
Said to author and critic André Maurois c. 1930, on the subject of the transformation of Germany.
Quoted in Maurois, The Art of Writing, “The Writer's Craft,” sct. 2 (1960).
Other works
“The light overcame the shadow. But as always, the shadow left its taint on the victors.”
Source: The White Rose (1985), Chapter 43, “Picnic” (p. 645)
Quote in an interview by Henry Geldzahler, 'Art International 1.', February 1964, p. 48
1950 - 1968
Gravity's Rainbow (1973)
Le Coq et l’Arlequin (1918)
Source: BBC Documentary based on Adam Hochschild's 'King Leopold's Ghost'
Congo: White King, Red Rubber, Black Death
Source: 1990s, "It’s Hard to Find a Good Lamp," 1993, p. 7; Quoted in: " Furniture http://www.juddfoundation.org/furniture/judd-furniture" at juddfoundation.org, 2014
Context: The art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness and scale as a chair. These are proportion, which is visible reasonableness. The art in art is partly the assertion of someone's interest regardless of other considerations. A work of art exists as itself; a chair exists as a chair itself. And the idea of a chair isn't a chair.