“Worpswede, I cannot get you out of my mind. There was such atmosphere there – right down to the tips of your toes. Your magnificent pine trees! I call them my men – thick, gnarled, powerful, and tall – and yet with the most delicate nerves and fibers in them. That is my image of the ideal artist. And your birch trees – delicate, slender young virgins who delight the eyes. With that relaxed and dreamy face, as if life had not really begun for them… But then there are some already masculine and bold, with strong and straight trunks. Those are my 'Modern women'. And you willows, with your knotty trunks… You are my old men with silver beards. I have company enough, indeed I do, and it's my own private company. We understand each other well and nod friendly answers back and forth. Life, life, life!”

— Paula Modersohn-Becker

a quote of her Journal, Worpswede 1897; as cited in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 192
1897

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Paula Modersohn-Becker 55

German artist 1876–1907

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“Worpswede, Worpswede, Worpswede! [small rural village in North-Germany were a colony of German artists was working then, including Paula] My sunken Bell mood! Birches, birches, pine trees and old willows. Beautiful brown moors – exquisite brown! The canals with their black reflections, black as asphalt..”

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Quote from her Journal, Worpswede 1897; as cited in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 192
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“"I am female," I complained. "That 'it' business is really getting on my nerves." […]
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“My dear Theo, Thanks for your letter of this morning. Yesterday I saw the Corot exhibition. It included a painting of the 'Mount of Olives'; I'm glad he painted that. On the right, a group of olive trees, dark against the darkening blue sky; in the background hills covered with shrubs and a couple of tall trees, above them the evening star.... I've also seen the Louvre and the Luxembourg, as you can imagine. The Ruisdaels in the Louvre are magnificent, especially 'The bush', 'The breakwater' and 'The ray of sunlight.”

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Paula Modersohn-Becker 55

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