“Speech has arisen through the need for expression. Certain factors have contributed to making it the paramount utilitarian method of expression. There are ideas and things expressible in words, but there are ideas better expressed in music, the person with no musical ear, or without discipline in the language of music, lacks the key to the door of the world of musical experience. But we live in a world of volume and space; it is hard to conceive of the person who is space-blind or volume-deaf. The great majority of people have the means of approach to plastic beauty as part of their natural equipment. The teacher can develop this natural endowment as Necessity, the greatest teacher, has developed speech.”
'Painting and Culture' p. 57
Search for the Real and Other Essays (1948)
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Hans Hofmann 67
American artist 1880–1966Related quotes

Interview with Berlingske Tidende, June 10, 1919. http://www.sibelius.fi/english/omin_sanoin/ominsanoin_16.htm

The Usurpation Of Language (1910)

Igor Stravinsky and Robert Craft (1962). Expositions and Developments.
1960s
Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Bio! TY Bello http://www.pulse.ng/entertainment/music/bio-ty-bello-id2789473.html
“The need to make music, and to listen to it, is universally expressed by human beings.”
"The Music of This Sphere"
The Lives of a Cell: Notes of a Biology Watcher (1974)
Context: The need to make music, and to listen to it, is universally expressed by human beings. I cannot imagine, even in our most primitive times, the emergence of talented painters to make cave paintings without there having been, near at hand, equally creative people making song. It is, like speech, a dominant aspect of human biology.

As quoted in Debussy (1989) by Paul Holmes, p. 36
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.