Le mythe de Prométhée signifie que toute la tristesse du monde a son siège dans le foie. Mais qui oserait reconnaître une vérité si humble?
Le Nœud de vipères (1932), cited from Oeuvres romanesques, vol. 2 (Paris: Flammarion, 1965) p. 166; Gerard Hopkins (trans.) Knot of Vipers (London: Eyre & Spottiswoode, 1951) p. 151.
“Were I to concentrate exclusively on the body of Prometheus, I would be seriously limiting the scope of my rendering of the demigod; but because I concentrate also on the myth of Prometheus, on all that the great poets have written about him, I expand the meaning of the demigod's physical form and try to communicate.... the basic message of the legend of Prometheus, who stole fire from the gods and taught man to cook his foods, to smelt metal ore and to forge his tools and weapons.”
c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 153-154
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Ossip Zadkine 31
French sculptor 1890–1967Related quotes
c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 154
The Pleasures of Literature (1938), p. 17 <!-- London: Cassell -->
[Peface de la Histoire de France, Michelet, Jules, Flammarion, 1893-1894, VIII]
History of France, 1833-1867
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 22. How I Then Tried to Diffuse the Theory of Three Dimensions by Other Means, and of the Result
Context: My brother is one of the best of Squares, just, sensible, cheerful, and not without fraternal affection; yet I confess that my weekly interviews, at least in one respect, cause me the bitterest pain. He was present when the Sphere manifested himself in the Council Chamber; he saw the Sphere's changing sections; he heard the explanation of the phenomena then given to the Circles. Since that time, scarcely a week has passed during seven whole years, without his hearing from me a repetition of the part I played in that manifestation, together with ample descriptions of all the phenomena in Spaceland, and the arguments for the existence of Solid things derivable from Analogy. Yet — I take shame to be forced to confess it — my brother has not yet grasped the nature of the Third Dimension, and frankly avows his disbelief in the existence of a Sphere.Hence I am absolutely destitute of converts, and, for aught that I can see, the millennial Revelation has been made to me for nothing. Prometheus up in Spaceland was bound for bringing down fire for mortals, but I — poor Flatland Prometheus — lie here in prison for bringing down nothing to my countrymen. Yet I exist in the hope that these memoirs, in some manner, I know not how, may find their way to the minds of humanity in Some Dimension, and may stir up a race of rebels who shall refuse to be confined to limited Dimensionality.That is the hope of my brighter moments. Alas, it is not always so. Heavily weighs on me at times the burdensome reflection that I cannot honestly say I am confident as to the exact shape of the once-seen, oft-regretted Cube; and in my nightly visions the mysterious precept, "Upward, not Northward", haunts me like a soul-devouring Sphinx. It is part of the martyrdom which I endure for the cause of the Truth that there are seasons of mental weakness, when Cubes and Spheres flit away into the background of scarce-possible existences; when the Land of Three Dimensions seems almost as visionary as the Land of One or None; nay, when even this hard wall that bars me from my freedom, these very tablets on which I am writing, and all the substantial realities of Flatland itself, appear no better than the offspring of a diseased imagination, or the baseless fabric of a dream.
The Anatomy of Influence (2011), p. 142.
“Prometheus, thief of light, giver of light, bound by the gods, must have been a book.”
Source: House of Leaves