“Sacred and inspired divinity, the sabaoth and port of all men's labours and peregrinations.”

1840s, Essays: First Series (1841), History
Context: The difference between men is in their principle of association. Some men classify objects by color and size and other accidents of appearance; others by intrinsic likeness, or by the relation of cause and effect. The progress of the intellect is to the clearer vision of causes, which neglects surface differences. To the poet, to the philosopher, to the saint, all things are friendly and sacred, all events profitable, all days holy, all men divine. For the eye is fastened on the life, and slights the circumstance. Every chemical substance, every plant, every animal in its growth, teaches the unity of cause, the variety of appearance.

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)
Context: We will walk on our own feet; we will work with our own hands; we will speak our own minds... A nation of men will for the first time exist, because each believes himself inspired by the Divine Soul which also inspires all men.

Napoleon the Little (1852), Conclusion, Part Second, II
Napoleon the Little (1852)

By this love, then, and by the God who reigns in Heaven, I swear to you that my soul is incapable of dishonor — that, with the exception of occasional follies and excesses which I bitterly lament, but to which I have been driven by intolerable sorrow, and which are hourly committed by others without attracting any notice whatever — I can call to mind no act of my life which would bring a blush to my cheek — or to yours. If I have erred at all, in this regard, it has been on the side of what the world would call a Quixotic sense of the honorable — of the chivalrous.
" Letter to Mrs. Whitman http://www.lfchosting.com/eapoe/WORKS/letters/p4810181.htm" (1848-10-18).

Music For All Of Us (1943); also quoted as "...Music can be all things to all persons... "
Context: I believe that music can be an inspirational force in all our lives — that its eloquence and the depth of its meaning are all-important, and that all personal considerations concerning musicians and the public are relatively unimportant — that music come from the heart and returns to the heart — that music is spontaneous, impulsive expression — that its range is without limit — that music is forever growing — that music can be one element to help us build a new conception of life in which the madness and cruelty of wars will be replaced by a simple understanding of the brotherhood of man.
Music can be all things to all men. It is like a great dynamic sun in the center of a solar system which sends out its rays and inspiration in every direction. … It is as if the heavens open and a divine voice calls. Something in our souls responds and understands. We are speaking here of the most inspired music.

History and Utopia (1960)

Bk. II, ch. 8.
1830s, Sartor Resartus (1833–1834)

Les Propheties (1555), Preface
Context: Perfect knowledge of such things cannot be acquired without divine inspiration, given that all prophetic inspiration derives its initial origin from God Almighty, then from chance and nature. Since all these portents are produced impartially, prophecy comes to pass partly as predicted. For understanding created by the intellect cannot be acquired by means of the occult, only by the aid of the zodiac, bringing forth that small flame by whose light part of the future may be discerned. We need god to prosper those without him will not.