
Source: Glamour: A World Problem (1950), Certain Preliminary Clarifications
On Poesy or Art (1818)
Source: Glamour: A World Problem (1950), Certain Preliminary Clarifications
Quote in an open letter ('Credo'), (Paris, end of December 1861), published in the 'Courier du Dimanche', (addressed to prospective students); as quoted in Letters of Gustave Courbet, transl. & ed. Petra ten-Doesschate Chu, University of Chicago Press 1992, pp. 203-204
1860s
"The Creative Process" (1962) originally published in The National Culture Center's Creative America (1962) and later published in The Price of the Ticket (1985)
Quote of El Greco, 1582-84; as cited by Marina Lambraki-Plaka, in El Greco, p. 57-59; as quoted in Wikipedia/El Greco: 'Technique and Style'
on making his painting 'The Virgin of the Immaculate Conception' https://upload.wikimedia.org/wikipedia/commons/4/49/El_Greco_-_The_Virgin_of_the_Immaculate_Conception_-_WGA10585.jpg El Greco asked permission to lengthen the altarpiece itself by another 1.5 feet (0.46 m) - the human body became even more otherworldly in his later works
Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 94.
1915 - 1925, Suprematism' in World Reconstruction (1920)
Source: Collected Poems (1966), p. 18
“Imitation can acquire pretty much everything but the power which created the thing imitated.”
Source: Meditations in Wall Street (1940), p. 96