“Do you like to see what can be transformed from a flat, elementary rural scene - bearing the stamp of nature, the mark of truth - into something most beautiful and graceful? Look at the works of our great [painter] Schelfhout. There you will find represented plain nature at the most elegant, but moreover with a faithfulness and truth, which only Schelfhout can represent.”

— Barend Cornelis Koekkoek

(original Dutch, citaat van B.C. Koekkoek:) Wilt gij zien wat er van een vlak, eenvoudig landelijk tafereel, als hetzelve den stempel der natuur, het merk der waarheid draagt, schoons en bevalligs kan gemaakt worden? Beschouwt dan de werken van onze grooten Schelfhout. Daarin zult gij de eenvoudige natuur op het sierlijkst, maar tevens met eene getrouwheid en waarheid, wat alleen een Schelfhout vermag, voorgesteld vinden.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 243

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Barend Cornelis Koekkoek 11

painter from the Northern Netherlands 1803–1862

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“.. keep working quietly and have faith in what I tell you, never ask how someone else did it or is doing, try to understand nature, observe everything, try to learn to see and find your easiest way to represent it; one can make different choices from nature, follow what the heart tells you, for which you feel the most.... search for what contains effect, something what wants to tell clear things.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
1880's + 1890's

“In my opinion the aim of the painter is similar with that of the poet, insofar that both want to affect the feelings of the viewer or reader. As soon as their scenes.... are lacking the mark of nature, of truth, than both will fail to realize it. The Dutch painter feels - as well as the Germans do - the influence of sublime nature, but the Dutch painter first wants to be acquainted with 'plain truth', to combine it afterwards with the poetic..”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Het doel van den schilder is, naar mijn wijze van zien, in zoverre met dat des dichters gelijk, dat beiden op het gevoel van den beschouwer of den lezer willen werken. Dit kunnen zij onmogelijk doen, zodra hunne taferelen.. ..den stempel der natuur, de waarheid missen.. .De Nederlandschee schilder gevoelt even goed als de Duitsche den invloed der verhevenen natuur, maar de Nederlander wil eerst met het 'eenvoudige ware' bekend zijn, om hetzelve later met dichterlijke te vereenigen..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 29-30

“For when I construct lines and colour combinations on a flat surface, it is with the aim of portraying 'universally beauty' as consciously as possible. Nature (or that which I see) inspires me, provides me – as it does every painter – with the emotion by which I am moved to create something, but I want to approach the truth as closely as possible, abstracting everything until I come to the foundation – still only an outward foundation! – of things. It is for me a clear truth that one does not want to say something 'specific', it is then that one says what is most specific: the truth (which is of great universality).”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in a letter to H. P. Bremmer, Paris 29 January 1914; ; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 81
1910's

“What do you mean by faith? Is faith enough for Man? Should he be satisfied with faith alone? Is there no way of finding out the truth? Is the attitude of faith, of believing in something for which there can be no more than philosophic proof, the true mark of a Christian?”

Clifford D. Simak book Time is the Simplest Thing

Source: Time is the Simplest Thing (1961), Chapter 9 (p. 70)

“… the way we eat represents our most profound engagement with the natural world. Daily, our eating turns nature into culture, transforming the body of the world into our bodies and minds.”

Michael Pollan book The Omnivore's Dilemma

Source: The Omnivore's Dilemma: A Natural History of Four Meals

“Hephaistos bears in Homer the double stamp of a Nature-Power, representing the element of fire, and of an anthropomorphic deity who is the god of art at a period when the only fine art known was in works of metal produced by the aid of fire.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Jeventus Mundi: The Gods and Men of the Heroic Age (1870) p. 289. https://archive.org/stream/juventusmundigod00glad_1#page/288/mode/2up
1870s

“If you are looking for a sense of justice, that’s not what I’m doing. I’m telling many truths. I don’t have to represent.”

Dael Orlandersmith (1959) American actress and writer

On incorporating various perspectives in her works in “Dael Orlandersmith Is a Poet of Life’s Complexity” https://www.americantheatre.org/2015/12/11/dael-orlandersmith-is-a-poet-of-lifes-complexity/ in American Theatre (2015 Dec 11)

“Your truth may not look like mine, but that is not what matters. What matters is this: You can look at a scar and see hurt, or you can look at a scar and see healing.”

Sheri Reynolds (1967) American writer

Source: A Gracious Plenty

“Elegance is necessarily unnatural, only achieveable at great expense. If you just do something, it won't be elegant, but if you do it and then see what might be more elegant, and do it again, you might, after an unknown number of iterations, get something that is very elegant.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: Filk, puns, and other time wasting. http://groups.google.com/group/comp.lang.lisp/msg/4bda6a98e5cf0bce (Usenet article).
Usenet articles, Miscellaneous

“I do not believe that affection can exist with truth, without the ideal, and without blending with itself all that is best and most earnest in our nature.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.21. Woodstock — ALICE LEE.
No.22. Marmion — CONSTANCE. See under The Monthly Magazine
Literary Remains

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Barend Cornelis Koekkoek 11

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