
December 1919, Renoir died
late quote of Renoir, c. 1919, in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 237
after 1900
I wish you could see the small Rembrandts there, the 'Supper at Emmaus', and two pendants, 'The philosophers'.
quote from his Letter #034 to Theo (Paris, 31 May 1875) http://vangoghletters.org/vg/letters/let034/letter.html
1870s
December 1919, Renoir died
late quote of Renoir, c. 1919, in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 237
after 1900
“If the Olive Trees knew the hands that planted them, Their Oil would become Tears.”
Degas in 1883, as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 4
note 5: 20 June 1887, - Corot’s biographer Alfred Robaut https://fr.wikipedia.org/wiki/Alfred_Robaut told this story (1905. Vol. 1. P. 336)
1876 - 1895
About the summer of Art Students League, New York 1913/14
1970s, Some Memories of Drawings (1976)
“Under the olive trees, from the ground
Grows this flower, which is a wound.”
"The Coward"
The Still Centre (1939)
Context: Under the olive trees, from the ground
Grows this flower, which is a wound.
It is easier to ignore
Than the heroes' sunset fire
Of death plunged in their willed desire
Raging with flags on the world's shore.
Quote from Hodler's speech: 'Über die Kunst', in Freibourg, 1897; as cited in Nationalism and the Nordic Imagination: Swedish Art of the 1890's, Michelle Facos; University of California Press, 1998, p.
“In the morning glad I see
My foe outstretch'd beneath the tree.”
Ibid., st. 4
1790s, Songs of Experience (1794)
Comment voyez-vous cet arbre? Il est bien vert? Mettez donc du vert, le plus beau vert de votre palette; — et cette ombre, plutôt bleue? Ne craignez pas la peindre aussi bleue que possible.
Quote from a conversation in 1888, Pont-Aven, with Paul Sérusier as cited by w:Maurice Denis, inL'influence de Paul Gauguin, in Occident (October 1903) and published in Du symbolisme au classicisme. Théories (1912), ed. Olivier Revault d'Allonnes (Paris, 1964), p. 51.
1870s - 1880s