
Implosion Magazine, No. 57, p. 5. (Callum Coats: Energy Evolution (2000))
Implosion Magazine
Rabbit Redux (1969)
Implosion Magazine, No. 57, p. 5. (Callum Coats: Energy Evolution (2000))
Implosion Magazine
"I Knew a Woman," ll. 22-28
Words for the Wind (1958)
Context: Let seed be grass, and grass turn into hay:
I'm martyr to a motion not my own;
What's freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways.)
The Age of Insight (2012)
Context: Like other modern artists faced with the advent of the photography, Klimt sought newer truths that could not be captured by the camera. He... turned the artists view inward—away from the three-dimensional outside world and toward the multidimensional inner self and the unconscious mind.
The Renaissance in India (1918)
"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: In Andrew Motion's book, we have the constant sense that Larkin is somehow falling short of the cloudless emotional health enjoyed by, for instance, Andrew Motion. Also the sense, as Motion invokes his like-minded contemporaries, that Larkin is being judged by a newer, cleaner, braver, saner world. … Motion is extremely irritated by Larkin's extreme irritability. He's always complaining that Larkin is always complaining.