Jace and Clary, pg. 244
Source: The Mortal Instruments, City of Ashes (2008)
Context: "I wish I could hate you. I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I think I do hate you and then I see you and I-"
"And you what?"
"What do you think? Why should I tell you everything about how I feel when you never tell me anything. It's like banging my head on a wall, except at least if I were banging my head on a wall, I'd be able to make myself stop."
“Did not Troyon tell me to enter the studio of Couture [in Paris]? It is needless to tell you how decided was my refusal to do so. I admit even that it cooled me, temporarily at least, in my esteem and admiration of Troyon.... and [I] after all, connected myself only with artists who were seeking.”
Quote from an interview with Thiebault-Sisson, 1900; as cited in Monet and His Muse: Camille Monet in the Artist's Life, Mary Mathews Gedo; University of Chicago Press, Sept. 2010, p. 10
1900 - 1920
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Claude Monet 87
French impressionist painter 1840–1926Related quotes
Variant: In vain I have struggled. It will not do. My feelings will no longer be repressed. You must allow me to tell you how ardently I admire and love you.
Source: Pride And Prejudice
Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, France, 25 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 592), p 25
1880s, 1889
Mi voz me dice: “Así es todo”.
Y el eco de mi voz me dice: “Así eres tú”.
Voces (1943)
In his letter to Theo, from the Hague, c. 11 July 1883 - original manuscript at Van Gogh Museum, location Amsterdam - inv. nos. b322 a-c V/1962, http://vangoghletters.org/vg/letters/let361/letter.html
At the exhibition 'Les cent chefs d'oeuvre' at Galerie Georges Petit - in Paris, 1883 there were 9 paintings of Troyon. Vincent had asked Theo in Paris to give him a description of the works at this exhibition. Vincent already appreciated Troyon's painting style, which he knew from his Paris' years at art-gallery Goupil where he worked
1880s, 1883
translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat uit een brief van Marie Bilders-van Bosse, in het Nederlands:) Ik ben blij dat ik dat artistieke leven in mij heb.. ..[ik ben] een prul op mijn gebied.. ..Ik overschat mijzelven niemendal, en daarom kan ik uit mijn werk [landschap-schilderen] niet dien troost putten die de Grooten op een gebied daaruit halen. En verder! 50 jaar na mijn dood!! Ik heb er om gelachen. Denk je dat ze één jaar daarna nog aan mij zullen denken? Lieve hemel! Nee, dat is mijn minste zorg.
Quote from Marie Bilders-van Bosse in her letter from The Hague, 29 March 1896, to her friend Cornelia M. Beaujon-van Foreest; as cited in Marie Bilders-van Bosse 1837-1900 – Een Leven voor Kunst en Vriendschap, Ingelies Vermeulen & Ton Pelkmans; Kontrast ( ISBN 978-90-78215-54-7), 2008, p. 29
Marie wrote her letter shortly after a quarrel with her friend Cornelia
"Where Did You Go To?" (song)
Gilbert O'Sullivan, "Where Did You Go To?" https://www.youtube.com/watch?v=LhJOUQXBOCw (song on YouTube. As audio.)
Gilbert O'Sullivan, "Where Did You Go To?" https://www.youtube.com/watch?v=vj2FCeCwhcM (Official video, on YouTube)
Song lyrics
Discourses on the Condition of the Great
Good question, Mama. Good question.
Violating the Boundaries: An Interview with Richard Rodriguez (1999)