Her reaction on hearing her poem. Daily Telegraph, 16 Aug 2008 http://www.telegraph.co.uk/comment/columnists/christopherhowse/3561497/At-the-Gate-of-the-Year.html
“When I heard about the project, the name sounded kind of familiar. I felt like I'd seen it in the book review section or on a list somewhere, but I didn't really know what the story was. The two things that stood out immediately were Jenji Kohan, who I think is one of the best writers out there, and the other thing was Netflix.”
On debut in show Orange Is the New Black, interviewed in: — [December 4, 2014, http://www.rollingstone.com/movies/news/q-a-jason-biggs-changes-stripes-in-orange-is-the-new-black-20130710, Rolling Stone, Q&A: Jason Biggs Changes Stripes in 'Orange Is the New Black', July 10, 2013, James Sullivan]
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Jason Biggs 9
American actor 1978Related quotes
Phlogiston interview (1995)
Context: When I started writing my first novel,... And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.

"Alien Dreamtime" a multimedia event recorded live. (27 February 1993)
Context: I remember the very, very first time that I smoked DMT. It was sort of a benchmark, you might say, and I remember that this friend of mine that always got there first visited me with this little glass pipe and this stuff which looked like orange mothballs. And since I was a graduate of Dr. Hofmann's, I figured there were no surprises. So the only question I asked is, 'How long does it last?' and he said, 'About five minutes.' So I did it and... [long pause, audience cheers] there was a something, like a flower, like a chrysanthemum in orange and yellow that was sort of spinning, spinning, and then it was like I was pushed from behind and I fell through the chrysanthemum into another place that didn't seem like a state of mind, it seemed like another place. And what was going on in this place aside from the tastefully soffited indirect lighting, and the crawling geometric hallucinations along the domed walls, what was happening was that there were a lot of ahh.. beings in there, what I call self-transforming machine elves. Sort of like jewelled basketballs all dribbling their way toward me. And if they'd had faces they would have been grinning, but they didn't have faces. And they assured me that they loved me and they told me not to be amazed; not to give way to astonishment. And so I watched them, even though I wondered if maybe I hadn't really done it this time, and what they were doing was they were making objects come into existence by singing them into existence. Objects which looked like Fabergé eggs from Mars morphing themselves with Mandaean alphabetical structures. They looked like the concrescence of linguistic intentionality put through a kind of hyper-dimensional transform into three-dimensional space. And these little machines offered themselves to me. And I realized when I looked at them that if I could bring just one of these little trinkets back, nothing would ever be quite the same again. And I wondered, Where Am I? And What Is Going On? It occurred to me that these must be holographic viral projections from an autonomous continuum that was somehow intersecting my own, and then I thought a more elegant explaination would be to take it at face value and realize that I had broken into an ecology of souls. And that somehow I was getting a peek over the other side. Somehow I was finding out that thing that you cheerfully assume you can't find out. But it felt like I was finding out. And it felt.. and then I can't remember what it felt like because the little self-transforming tykes interrupted me and said, "Don't think about it. Don't think about who we are... Think about doing what we're doing. Do it! Do it! DO IT NOW!!!"
And what they meant was use your voice to make an object. And as I understood, I felt a bubble kind of grow inside of me. And I watched these little elf tykes jumping in and out of my chest; they like to do that to reassure you. And they said, "Do it." And I felt language rise up in me that was unhooked from english, and I began to speak...

As quoted in "Reality bites" by Simon Hattenstone in The Guardian http://www.guardian.co.uk/g2/story/0,3604,784535,00.html (2 September 2002)

The pool was under construction before he disappeared and is located in the electorate he represented.
Interview with Stanford's Newsletter (June 2001)

On touring during Interview http://web.archive.org/web/20070926225407/http://www.muchmusic.com/music/artists/transcripts.asp?artist=1213 on MuchMusic's MuchonDemand (September 2005)
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M.I.A. Interview http://web.archive.org/web/20070926225407/http://www.muchmusic.com/music/artists/transcripts.asp?artist=1213 on MuchMusic's MuchOnDemand (September 2005).
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