What It Means to Be a Poet in America (1926)
Context: Whenever I begin to write a poem or draw a picture I am, in imagination, if not in reality, back in my room where I began to draw pen-and-ink pictures and write verses in my seventeenth year. Both windows of the room look down on the great Governor’s Yard of Illinois. This yard is a square block, a beautiful park. Our house is on so high a hill I can always look down upon the governor. Among my very earliest memories are those of seeing old Governor Oglesby leaning on his cane, marching about, calling his children about him.
“I suppose that I am a very serious poet – except for satirical verse, which I have also been compelled to write, though much of it may be inferior to my more serious poems – perhaps because I am not playful enough by nature, and even my satirical or polemical verse is not entertaining.”
Interview with Lidia Vianu http://lidiavianu.scriptmania.com/Michael%20Hamburger.htm
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Michael Hamburger 7
British translator, poet, critic, memoirist and academic 1924–2007Related quotes
Scannell's quote to his wife Jo, relayed to James Andrew Taylor - Walking Wounded: The Life and poetry of Vernon Scannell O U P 2013 ISBN 9780199603183
Wenn ich morgens am Meere sitze und Verse dichte und atme dabei den salzigen Wind, der vom Wasser herüberspringt, dann gehe ich auf in Gott und bin glücklich, wie ich es nur noch in der Kinderzeit war.
Michael: a German fate in diary notes (1926)
“Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire.”
Notes to Kenneth Allott, as quoted in Contemporary Verse (1948) edited by Kenneth Allott<!-- Penguin, London -->
Context: Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression was provided by that master for the undergraduate underworld, tired and thirsty for poetic fame in a small way. The results of Mr Eliot are not Mr Eliot himself: but satire with him has been the painted smile of the clown. Habits of expression ensuing from mannerism are, as a fact, remote from the central function of satire. In its essence the purpose of satire — whether verse or prose — is aggression. (When whimsical, sentimental, or "poetic" it is a sort of bastard humour.) Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.
Why I Am Not a Painter (l. 24-28) (1976).
Letter to Mr. Clarke (1816-04-01) [Letters of Jane Austen -- Brabourne Edition]
Letters
Variant: Why do I write? I write because I have to, because it is all I know, because it is my truth, because I am compelled, because I am driven to make the world acknowledge that women like me exist, and we possess a dangerous wisdom.
Fiction, "The Fifth Head of Cerberus", Orbit 10 (1972)
Talmud Bavli,Berakhot https://www.sefaria.org.il/Berakhot.61b.9?lang=bi&with=all&lang2=en|