“Architecture is treated as crystallisation; sculpture, as the organic modelling of the material in its sensuous and spatial totality; painting, as the coloured surface and line; while in music, space, as such, passes into the point of time possessed of content within itself, until finally the external medium is in poetry depressed into complete insignificance.”

—  Georg Wilhelm Friedrich Hegel , book Lectures on Aesthetics

Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist.
Part III https://www.marxists.org/reference/archive/hegel/works/ae/ch03.htm
Lectures on Aesthetics (1835)

Original

Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist.

Lectures on Aesthetics (1835)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Architecture is treated as crystallisation; sculpture, as the organic modelling of the material in its sensuous and spa…" by Georg Wilhelm Friedrich Hegel?
Georg Wilhelm Friedrich Hegel photo
Georg Wilhelm Friedrich Hegel 106
German philosopher 1770–1831

Related quotes

Georg Wilhelm Friedrich Hegel photo

“Poetry is the universal art of the spirit which has become free in itself and which is not tied down for its realization to external sensuous material; instead, it launches out exclusively in the inner space and the inner time of ideas and feelings.”

Georg Wilhelm Friedrich Hegel book Lectures on Aesthetics

As quoted in the Introduction to Aesthetics (1842), translated by T. M. Knox, (1979), p. 89
Lectures on Aesthetics (1835)

Herbert Spencer photo

“Architecture, sculpture, painting, music, and poetry, may truly be called the efflorescence of civilised life.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

Education: What Knowledge Is of Most Worth?
Essays on Education (1861)

Daniel Levitin photo

“Music combines the temporal aspects of film and dance with the spatial aspects of painting and sculpture, where pitch space (or frequency space) takes the place of three-dimensional physical space… frequency maps in the auditory cortex… function much the way that spatial maps do in the visual cortex.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)

Theo van Doesburg photo

“The plastic expression of space is inconceivable without light. Light and space complete one another. In architecture light represents an element of plastic expression – in fact, the most important one. An organic relationship between 'space' and 'material' is possible only with the aid of light. The highest achievements in architecture can be accomplished only if light also is treated as plastic form.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in van Doesburg's article: 'Space – time and colour' in 'De Stijl', Aubette Issue, series xv, 87-9, 1928, pp. 26–27
1926 – 1931

Hermann Weyl photo

“All characteristics of material things as they are presented to us in the acts of external perception (e. g. colour) are endowed with the separateness of spatial extension, but it is only when we build up a single connected real world out of all our experiences that the spatial extension, which is a constituent of every perception, becomes a part of one and the same all-inclusive space. … every material thing can, without changing content, equally well occupy a position in Space different from its present one. This immediately gives us the property of the homogeneity of space which is the root of the conception, Congruence.”

Hermann Weyl (1885–1955) German mathematician

Introduction
Space—Time—Matter (1952)

Florence Earle Coates photo

“Sculpture and painting are moments of life. Poetry is life itself.”

Florence Earle Coates (1850–1927) American writer and poet

On poetry

Samuel Taylor Coleridge photo

“Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

On Poesy or Art (1818)
Context: Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.

Theo van Doesburg photo

“I would like to offer an illustration. Imagine a house which is well designed from a material or practical point of view... Apart from these physio-functional demands, there are also psycho-functional demands which correspond with our optical, phonetic and tactile experiences. Until now, mankind has attempted to satisfy these 'supra-material' demands with a painting on the wall or a sculpture in a room.... the architecture of the future will have to destroy this duality. Its task will be to express completely and fulfill all our demands.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's unpublished writing, 'Fundamental principles', 1930; as cited in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 203
1926 – 1931

“Pure mathematics proves itself a royal science both through its content and form, which contains within itself the cause of its being and its methods of proof. For in complete independence mathematics creates for itself the object of which it treats, its magnitudes and laws, its formulas and symbols.”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 94.

“When I was young I was more obsessed with the materiality of things.... today I am more interested in air and atmosphere. This is why I deliberately treat space ambivalently. For example, an orange painting with white lines might be viewed as an orange wall with white lines, but the orange colour is no less atmospheric for all of that. It abounds white light, and the white line vibrate in a deep space, too, as well as an orange 'wall.”

Robert Motherwell (1915–1991) American artist

Interview with Irmeline Lebeer, in 'Recent Work', Princeton Art Museum, 1973 pp. 10-13
after 1970

Related topics