“The free placement of the means of expression is a privilege enjoyed exclusively by painting [different opinion with Theo van Doesburg]] ]. The sister arts, sculpture and architecture, are more restricted in this respect. The other arts enjoy even less scope in their employment of the means of expression.”

— Piet Mondrian

Quote of Mondrian, c. Oct. 1917; as cited in Letters of the great artists, Richard Friedenthal, Thames and Hudson, London, 1963 (transl. Daphne Woodward), p. 237
1910's

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Piet Mondrian 95

Peintre Néerlandais 1872–1944

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“However, new plasticism is pure painting [in contrast with the opinion of Theo van Doesburg, then]: the means of expression still are form and color, though these are completely interiorized; the straight line and flat color remain purely pictorial means of expression.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

“I cannot make a living out of art and I now occupy myself with a variety of things. Of course, I continue to paint and to nail, but in particular I write grotesques and art reviews for newspapers, I organize evenings [a. o. with Theo van Doesburg ] and draw commercial art for newspapers.”

Kurt Schwitters (1887–1948) German artist

In a letter to w:Galka Scheyer, January 1926; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 34.
1920s

“In his later works Doesburg tried to destroy static expression by diagonal position of his lines. But in this way the feeling of physic equilibrium which is necessary to enjoy a work of art is lost.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in a letter of Mondrian to Sweeney, 24 May 1943; as cited in: - 102 - Two autobiographical texts (24 May 1943) http://mondrianwritings.nl/wp-content/uploads/2017/03/102.-Two-autobiographical-texts-24-May-1943.pdf
This idea was partly the reason of their mutual split in 1924; in 1929 they reconciled in Paris.
1940's

“Art will not only continue but will realise itself more and more. By the unification of architecture, sculpture and painting a new plastic reality will be created.”

Piet Mondrian (1872–1944) Peintre Néerlandais

quote, 1937; last lines of Mondrian's publication in 'Circle'; as cited in Abstract Art, Anna Moszynska; Thames and Hudson, London 1990, p. 117
1930's

“The role of the 'representational arts' - painting, sculpture, and even architecture…. has ended, as it is no longer necessary for the consciousness of our age, and everything art has to offer can simply be classified as a throwback.”

Lyubov Popova (1889–1924) Russian artist

Quote, c. 1921; from Lyubov' Popova, in 'Commentary on Drawings', trans. ed. James West, in Art Into Life: Russian Constructivism, 1914-1932; catalogue for exhibition Rizzoli, New York: 1990, p. 69 (Popova's original text, in the Manuscript Division, State Tretiakov Gallery, Moscow, f. 148, ed. khr. 17, 1. 4.)

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

“Studies in painting: Non. He learned to express himself by means of art in the same way as the child learns to talk. No teaching is needed for the one who is born an artist, and even the expression 'self-taught' is a phony, he thinks.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in a questionnaire, Max Ernst filled out in 1948, the U.S; as cited in Max Ernst: a Retrospective, ed. Werner Spies & Sabine Rewald, Metropolitan Museum of Art, New York 2005, p. 7
1936 - 1950

“There are many ways to practice and make art. There are also various ways to express, such as comedy, sculpture, music, painting etc. Dimensions can be immense even in such small spaces as the head of a pin.”

Eugenio Cruz Vargas (1923–2014) Chilean poet and painter

Quote
Source: Famous phrase of Eugenio Cruz Vargas http://www.angelred.com/urls/arte.htm|
Source: Sky http://viaf.org/viaf/13641853/|
Source: From Library of Congress Name Authority File of U.S.A. http://id.loc.gov/authorities/names/n81126660.html|

“Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

On Poesy or Art (1818)
Context: Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.

“Being an artist now means to question the nature of art. If one is questioning the nature of painting, one cannot be questioning the nature of art. If an artist accepts painting (or sculpture) he is accepting the tradition that goes with it. That’s because the word art is general and the word painting is specific. Painting is a kind of art. If you make paintings you are already accepting (not questioning) the nature of art. One is then accepting the nature of art to be the European tradition of a painting-sculpture dichotomy.”

Joseph Kosuth (1945) American conceptual artist

Joseph Kosuth in: Arthur R. Rose, “Four Interviews,” Arts Magazine (February, 1969).

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Piet Mondrian 95

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