“Rolfe's vice was spiritual more than it was carnal: it might be said that he was a pander and a swindler, because he cared for nothing but his faith. He would be a priest or nothing, so nothing it had to be…If he could not have Heaven, he would have Hell, and the last footprints seem to point unmistakably towards the Inferno.”

— Frederick Rolfe

Graham Greene "Frederick Rolfe: Edwardian Inferno" (1934); cited from Collected Essays (New York: The Viking Press, 1969) p. 175
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Frederick Rolfe12

British writer, photographer and historian 1860–1913

Anton LaVey book The Satanic Bible

The Satanic Bible (1969)

“"Why do you fight?"… He kept his wife, his kid, from dying. That was nothing. Less than nothing. If he had had money, if he could have left it to them, he would have been free to go and get killed. As if the universe had not treated him all his life with kicks in the belly, it now despoiled him of the only dignity he could ever possess — his death.”

André Malraux (1901–1976) French novelist, art theorist and politician

La condition humaine [Man's Fate] (1933)

“Aristotle would… by no means admit that mathematics was divorced from aesthetic; he could conceive, he said, of nothing more beautiful than the objects of mathematics.”

Thomas Little Heath (1861–1940) British civil servant and academic

Preface p. v
A History of Greek Mathematics (1921) Vol. 1. From Thales to Euclid

“In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.”

Yasunari Kawabata (1899–1972) Japanese author, Nobel Prize winner

Japan, the Beautiful and Myself (1969)
Context: Ryokan, who shook off the modern vulgarity of his day, who was immersed in the elegance of earlier centuries, and whose poetry and calligraphy are much admired in Japan today — he lived in the spirit of these poems, a wanderer down country paths, a grass hut for shelter, rags for clothes, farmers to talk to. The profundity of religion and literature was not, for him, in the abstruse. He rather pursued literature and belief in the benign spirit summarized in the Buddhist phrase "a smiling face and gentle words". In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.