
“In his countenance this person read an expression of no-encouragement towards his venture.”
The Confession of Kai Lung
The Wallet of Kai Lung (1900)
The Quality You Need Most, from Green Book Magazine (April 1914)
“In his countenance this person read an expression of no-encouragement towards his venture.”
The Confession of Kai Lung
The Wallet of Kai Lung (1900)
"Would you like to see a little of it?" said the Mock Turtle. (3 April 2010)
Unfit for Mass Consumption (blog entries), 2010
Context: Could anything be more inimical to art than a fear of emotion, or a fear of "excessive" emotion, or a reluctance to express emotion around others? No, of course not. Art can even best the weights of utter fucking ignorance and totalitarian repression, but it cannot survive emotional constipation.
I want a T-shirt that says, "Art is Emo." We live in an age where people are more apt to believe a thing if they read it on a T-shirt.
Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920
“A writer will do anything to avoid the act of writing.”
Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 4, Style, p. 21.
"‘Interview with Nikita Gohkale’" https://vasfotios.wixsite.com/citylights/single-post/2017/12/12/Interview-with-Nikita-Gohkale. City Lights. December 12, 2017.
Abhinaya and Netrābhinaya
Source: Mani Madhava Chakkyar: The Master at Work, K.N. Panikar, Sangeet Natak Akademi New Delhi, 1994
“We can see nothing whatever of the soul unless it is visible in the expression of the countenance;”
B 11
Aphorisms (1765-1799), Notebook B (1768-1771)
Context: We can see nothing whatever of the soul unless it is visible in the expression of the countenance; one might call the faces at a large assembly of people a history of the human soul written in a kind of Chinese ideograms.