
Encyclopedia Brittanica article, quoted by Patricia Fara in Science A Four Thousand Year History (2009) citing Simon Schaffer article in The Values of Precision (1995) ed. M. Norton Wise
Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19
Encyclopedia Brittanica article, quoted by Patricia Fara in Science A Four Thousand Year History (2009) citing Simon Schaffer article in The Values of Precision (1995) ed. M. Norton Wise
Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17
Tradition and the Individual Talent (1919)
Context: What happens when a new work of art is created, is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.
Source: Art on the Edge, (1975), pp. 64-65, "Olitski, Kelly, Hamilton: Dogma and Talent"
Intellectual Proletarians (1914)
Source: You Learn by Living: Eleven Keys for a More Fulfilling Life
Source: before 1960, Ritual for the Relinquishment of the immaterial Pictorial Sensitivity Zones', Yves Klein, 1957-59, p. 207
“An artist must possess consummate technique in order to make us forget it.”
RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911
“Once again, I arrived at my usual conclusion: one must educate oneself.”
Source: Persepolis: The Story of a Childhood