Quoted in Time magazine, October 31, 1977. http://www.time.com/time/magazine/printout/0,8816,945814,00.html
Also attributed to Christopher Hampton by the Sunday Times Magazine (16 October 1977)
“Critics disagree about almost every quality of a writer’s work; and when some agree about a quality, they disagree about whether it is to be praised or blamed, nurtured or rooted out. After enough criticism the writer is covered with lipstick and bruises, and the two are surprisingly evenly distributed.”
“Poets, Critics, and Readers”, p. 99
No Other Book: Selected Essays (1999)
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Randall Jarrell 215
poet, critic, novelist, essayist 1914–1965Related quotes
Sunday Times Magazine (London, October 16, 1977)
“ ‘Very Graceful Are the Uses of Culture’ ”, p. 211
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)
“Blown about with every wind of criticism.”
1784
Bartlett's Familiar Quotations, 10th ed. (1919), Life of Johnson (Boswell)
The “Star Wars” Logo Design http://suzyrice.com/the-star-wars-logo-design-page-one-of-two/ (October 28, 2011)
Afterword to The Dud Avocado (2006)
Context: Halfway through writing the book, I still had no title. It came wonderfully into being when I complimented my host at a party on his flourishing avocado plant. I said, I’d kept trying and failing with my own avocado pits. Someone said, what you’ve got is a dud avocado, and Ken said, that’s a good title for a novel. I thought, this title is mine, and it was. Ken and I had the same agent, and for a publisher we decided on Victor Gollancz, who was so good with first novels. Wonderfully, he accepted it, but with several caveats. He didn’t like the title. It sounded like a cookbook. He also wanted me to write under my married name. I said no to both. He accepted. He decided it needed a subtitle, "La Vie Amoureuse of Sally Jay in Paris." I said, Oh no, no! He said, this was the first time in his experience that an unknown writer had complained about a book cover. However, he did put on the book’s jacket that the subtitle was the publisher’s. Ken read it in proof and said, "You’ve got a thumping great best-seller here." Curiously, the first thing I felt was relief. I believed him. No one could predict how a play or novel would be received by the public like Ken could. And only then was I set free to let excitement take hold of me.
New Situation and the Policy of the Communist Party of Japan (1950)