“The white man is very clever. He came quietly with his religion. We were amused at his foolishness and allowed him to stay. Now he has won our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart.”

Source: Things Fall Apart (1958), Chapter 20 (p. 162)

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Chinua Achebe 63
Nigerian novelist, poet, professor, and critic 1930–2013

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“Brother, the Great Spirit has made us all, but He has made a great difference between His white and His red children. He has given us different complexions and different customs. To you He has given the arts. To these He has not opened our eyes. We know these things to be true. Since He has made so great a difference between us in other things, why may we not conclude that He has given us a different religion according to our understanding? The Great Spirit does right. He knows what is best for His children; we are satisfied. Brother, we do not wish to destroy your religion or take it from you. We only want to enjoy our own. … Brother, we are told that you have been preaching to the white people in this place. These people are our neighbors. We are acquainted with them. We will wait a little while and see what effect your preaching has upon them. If we find it does them good, makes them honest, and less disposed to cheat Indians, we will then consider again of what you have said.
Brother, you have now heard our answer to your talk, and this is all we have to say at present. As we are going to part, we will come and take you by the hand, and hope the Great Spirit will protect you on your journey and return you safe to your friends.”

Quoted from The World’s Famous Orations, Vol. VIII., Red Jacket on the Religion of the White Man and the Red https://www.bartleby.com/268/8/3.html, Speech delivered at a council of chiefs of the Six Nations in the summer of 1805 after Mr. Cram, a missionary, had spoken of the work he proposed to do among them.

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“He put an arm around his brother to help him up. And then, for a moment, he just held on.”

L.J. Smith (1965) American author

Source: The Fury / Dark Reunion

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“[W]e understand that if the child were to give in to the overpowering character of reality and experience he would not be able to act with the kind of equanimity we need in our non-instinctive world. So one of the first things a child has to do is to learn to “abandon ecstasy,” to do without awe, to leave fear and trembling behind. Only then can he act with a certain oblivious self-confidence, when he has naturalized his world. We say “naturalized” but we mean unnaturalized, falsified, with the truth obscured, the despair of the human condition hidden, a despair that the child glimpses in his night terrors and daytime phobias and neuroses. This despair he avoids by building defenses; and these defenses allow him to feel a basic sense of self-worth, of meaningfulness, of power. They allow him to feel that he controls his life and his death, that he really does live and act as a willful and free individual, that he has a unique and self-fashioned identity, that he is somebody—not just a trembling accident germinated on a hothouse planet that Carlyle for all time called a “hall of doom.””

We called one’s life style a vital lie, and now we can understand better why we said it was vital: it is a necessary and basic dishonesty about oneself and one’s whole situation. This revelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud We don’t want to admit that we arerevelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud. We don’t want to admit that we are fundamentally dishonest about reality, that we do not really control our own lives. We don’t want to admit that we do not stand alone, that we always rely on something that transcends us, some system of ideas and powers in which we are embedded and which support us. This power is not always obvious. It need not be overtly a god or openly a stronger person, but it can be the power of an all-absorbing activity, a passion, a dedication to a game, a way of life, that like a comfortable web keeps a person buoyed up and ignorant of himself, of the fact that he does not rest on his own center. All of us are driven to be supported in a self-forgetful way, ignorant of what energies we really draw on, of the kind of lie we have fashioned in order to live securely and serenely. Augustine was a master analyst of this, as were Kierkegaard, Scheler, and Tillich in our day. They saw that man could strut and boast all he wanted, but that he really drew his “courage to be” from a god, a string of sexual conquests, a Big Brother, a flag, the proletariat, and the fetish of money and the size of a bank balance.
Human Character as a Vital Lie
The Denial of Death (1973)

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“We need to open our hearts to him and be there for our brothers and sisters. It’s time to proclaim his love and carry his message he gave us the power to be his tools and to bring his love to others. It is our duty.”

Eusebio Ramos Morales (1952) Puerto Rican bishop

Source: Puerto Rican Catholics Urged to Open Hearts to Others at Cathedral Mass https://www.cny.org/stories/puerto-rican-catholics-urged-to-open-hearts-to-others-at-cathedral-mass,4099 (1 December 2010)

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“And the shark he has his teeth and
There they are for all to see
And Macheath he has his knife but
No one knows where it may be.”

"The Moritat of Mackie the Knife" in Prologue, p. 3
Translation note: A "moritat" (a word meaning both "muderous deed" and "ballad") is a street song telling of murderous crimes.
Lotte Lenya, "Foreword", p. xii
Variant translation: Oh the shark has pretty teeth dear,
And he shows them pearly white
Just a jack-knife has Macheath dear
And he keeps it out of sight.
Marc Blitzstein translation; largely used for Louis Armstrong's and Bobby Darin's pop renditions of "The Ballad of Mack the Knife"
The Threepenny Opera (1928)

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