“Music has its existence on the borderline between meaning and nonsense. That is why most attempts to attribute a specific meaning to a piece of music seem to be beside the point—even when the attribution is authoritative, even when it is made by the composer himself.”

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 3 : Explaining the Obvious

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Charles Rosen 69
American pianist and writer on music 1927–2012

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