“[Robert] Frost says in a piece of homely doggerel that he has hoped wisdom could be not only Attic but Laconic, Boeotian even—“at least not systematic”; but how systematically Frostian the worst of his later poems are! His good poems are the best refutation of, the most damning comment on, his bad: his Complete Poems have the air of being able to educate any faithful reader into tearing out a third of the pages, reading a third, and practically wearing out the rest.”

— Randall Jarrell

“To the Laodiceans”, p. 21
No Other Book: Selected Essays (1999)
Variant: [Robert] Frost says in a piece of homely doggerel that he has hoped wisdom could be not only Attic but Laconic, Boeotian even—“at least not systematic”; but how systematically Frostian the worst of his later poems are! His good poems are the best refutation of, the most damning comment on, his bad: his Complete Poems have the air of being able to educate any faithful reader into tearing out a third of the pages, reading a third, and practically wearing out the rest.

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Randall Jarrell 215

poet, critic, novelist, essayist 1914–1965

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 171]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“If poetry were nothing but texture, [Dylan] Thomas would be as good as any poet alive. The what of his poems is hardly essential to their success, and the best and most brilliantly written pieces usually say less than the worst.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poetry in a Dry Season”, p. 36
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“How are his poems?"
"He's not as good as he thinks he is, but then most of us feel that way.”

Charles Bukowski book Hollywood

Source: Hollywood

“Thereafter, when he himself was dead, he imagined that his poems would be published in some mysterious way, and the nation would read them for comfort in adversity, as it had read the poems of other poets before him; it was his highest wish that his poems could help those as unfortunate as himself to have patience to endure.</b”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book One: The Revelation of the Deity

“In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.”

Yasunari Kawabata (1899–1972) Japanese author, Nobel Prize winner

Japan, the Beautiful and Myself (1969)
Context: Ryokan, who shook off the modern vulgarity of his day, who was immersed in the elegance of earlier centuries, and whose poetry and calligraphy are much admired in Japan today — he lived in the spirit of these poems, a wanderer down country paths, a grass hut for shelter, rags for clothes, farmers to talk to. The profundity of religion and literature was not, for him, in the abstruse. He rather pursued literature and belief in the benign spirit summarized in the Buddhist phrase "a smiling face and gentle words". In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.

“It is better to have the child in the chimney corner moved by what happens in the poem, in spite of his ignorance of its real meaning, than to have the poem a puzzle to which that meaning is the only key. Still, complicated subjects make complicated poems, and some of the best poems can move only the best readers; this is one more question of curves of normal distribution. I have tried to make my poems plain, and most of them are plain enough; but I wish that they were more difficult because I had known more.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 170]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)