
Act I, sc. 7.
Philip van Artevelde (1834)
Variant: Such souls,
Whose sudden visitations daze the world,
Vanish like lighting, but they leave behind
A voice that in the distance far away
Wakens the slumbering ages.
Mont Blanc http://www.readprint.com/work-1366/Percy-Bysshe-Shelley (1816), st. 3
Act I, sc. 7.
Philip van Artevelde (1834)
Variant: Such souls,
Whose sudden visitations daze the world,
Vanish like lighting, but they leave behind
A voice that in the distance far away
Wakens the slumbering ages.
'The Epitaph on Bion', tr. R. Polwhele, lines 129–132
The Idylliums of Moschus, Idyllium III
“Death is the veil which those who live call life;
They sleep, and it is lifted.”
Earth, Act III, sc. iii, l. 113
Variant: Lift not the painted veil which those who live
Call Life.
Source: Prometheus Unbound (1818–1819; publ. 1820)
By Still Waters (1906)
The Battle Field
The Venetian Bracelet (1829)
All the Pretty Horses (1992)
Context: He lay listening to the horse crop the grass at his stakerope and he listened to the wind in the emptiness and watched stars trace the arc of the hemisphere and die in the darkness at the edge of the world and as he lay there the agony in his heart was like a stake. He imagined the pain of the world to be like some formless parasitic being seeking out the warmth of human souls wherein to incubate and he thought he knew what made one liable to its visitations. What he had not known was that it was mindless and so had no way to know the limits of those souls and what he feared was that there might be no limits.
"The Superstitions of Fred Anneday, Annday, Anday; a Novel of Real Life" (1935)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 406.